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English theater not colonial mentality–Rep


LIESL Batucan and RemZamora lead the cast of “Alice in Wonderland” Photo
by Amadís Ma. Guerrero

This question was posed to Repertory Philippines (Rep)  officers and performers: How do you feel about continuing criticism from certain quarters that Broadway-West End productions dominate the Philippine stage, and that this is a sign of “colonial mentality”?

“Tell that to the CCP (Cultural Center of the Philippines),” replied actor-director Audie Gemora. “That is all I have to say.”

Actress-singer Menchu Lauchengco-Yulo, associate artistic director of Rep (her tenure was cut short a few days ago, for still murky reasons—Ed.), had a less emotional evaluation: “The material is foreign, but the talent is Filipino. We showcase Filipino talent, so it is not colonial mentality.”

She added: “We are open to Filipino plays; we are not close-minded. But there is not enough material to fill a season.”

Micael Williams and Michael de Mesa. Photo
by Amadís Ma. Guerrero

“Each company has its own vision,” noted actress-singer Joy Virata, founder of Rep’s Theater for Young Audiences. “Our vision is English theater. Other companies have a vision that is Philippine theater. They do Filipino plays, so it balances out.”

Actress Juno Henares, who was program host, observed that Rep has done Filipino plays like “Miong,” a musical about Emilio Aguinaldo, with libretto by Virata, as well as Filipino adaptations of Western plays. (Also Nick Joaquin’s “A Portrait of the Artist as Filipino,” one might add.)

“We want to do more adaptations so as to broaden our audience,” she added, pointing out that Rep recently coproduced “Care Divas,” a hit play of Peta (the Philippine Educational Theater Association).

2013 lineup

This flurry of views and reactions took place during a recent press conference at OnStage, Glorietta I, Makati City, which announced Rep’s lineup of shows in 2013, in celebration of its 75th theater season. The company’s big musical for this year, “Disney’s Camp Rock: the Musical” (ongoing until Dec. 16), serves as appetizer.

The five plays for next year are: “Boeing Boeing” (three weekends starting Feb. 1) starring Michael de Mesa, in his Repertory debut, and Michael Williams, with direction by Miguel Faustmann; “No Way to Treat a Lady,” (March 1) starring Michael Williams and Carla Guevara, directed by Lauchengco-Yulo; “The Graduate,” (April 5) starring Cherie Gil, Reb Atadero and Cara Barredo, with direction by Jaime del Mundo ( “strictly for adults only”); “Alice in Wonderland” (Aug. 17) directed by Joy Virata; and the big musical, “The Producers” (Nov. 15) directed by Lauchengco-Yulo and del Mundo.

“Boeing Boeing” is a wacky sex comedy about a playboy who has three girlfriends, all stewardesses and of different nationalities. When the flights of the girls are cancelled, they converge on the apartment of their lover, and bedlam ensues.

“No Way to Treat a Lady” is a musical comedy about— would you believe—a serial killer. “The Graduate” is the stage version of the iconic film that starred Anne Bancroft as the seductive Mrs. Robinson and Dustin Hoffman as the naïve young man. (“Mrs. Robinson, are you trying to seduce me?”).

Musical adaptation

“Alice in Wonderland” is a musical adaptation of the famous classic by Lewis Carroll. And “The Producers” is that musical which was, unexpectedly, such a hit on Broadway, winning a record 12 Tony Awards. The musical later became a movie.

A preview of things to come in 2013 whetted one’s appetite for the forthcoming productions, as the talents present gave readings of each play. Topper Fabregas pinchhit for the absent Atadero as Benjamin while Lauchengco-Yulo substituted for Cherie Gil (who was abroad) as Mrs. Robinson. And so on.

Enlivening the program were production numbers from “Camp Rock,” with a gaggle of dancing youngsters, and “Alice in Wonderland,” with Rep mainstays Liesl Batucan and Rem Zamora leading the young cast.

Gemora, who directed the Disney musical, said that to prepare himself for the production, he recited a mantra: “Think young! Think young!”

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Tags: Culture , English language , Lifestyle , Repertory Philippines , Theater

  • hustlergalore

    “The material is foreign, but the talent is Filipino. We showcase Filipino talent, so it is not colonial mentality.”
    - lame, lame, lame! LOL

  • http://profile.yahoo.com/BMQHSMAEDG5M3TUUCCXJPV3PLY Rosauro

    The problem is, the Tagalog speakers want to dominate our Philippine culture.The whole south .American continent from Mexico to Argentina with thousands of dialects, not one of these dialects was developed into a national language, and why? Because of nationalistic feelings and above all for unity.. All the Spanish speaking countries adopted the colonial Spanish language for unity so not one of the natives could be superior than the others. 

  • http://profile.yahoo.com/BMQHSMAEDG5M3TUUCCXJPV3PLY Rosauro

    Moreover, the USA now is dominated by the Latinos in terms of invading the USA with their brand of South American Spanish language. 

  • http://profile.yahoo.com/ESBNIORP65CLSBTXCJRZ7QLHJ4 jess

    She just defined what colonial mentality is :

    “The material is foreign, but the talent is Filipino. We showcase Filipino talent, so it is not colonial mentality.”

    Alanganin naman foreigner ang talent then that would no longer be colonial mentality.

  • http://profile.yahoo.com/ESBNIORP65CLSBTXCJRZ7QLHJ4 jess

    Why can’t they come up with local material instead of foreign ? Wala na bang maisip na iba kundi foreign ? Or nahihiya lang kayo sa sariling kultura ?

  • http://profile.yahoo.com/X7JZFN52AN5ZAGDMO4NHQ5KCRM newname

    not colonial daw oh? Dapat local ang gagawing dula…..imported lang….

  • http://profile.yahoo.com/X7JZFN52AN5ZAGDMO4NHQ5KCRM newname

    ganito pala ang mangyayari pag palaging nangongopya, hindi na alam ang kopya sa totoo

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