‘Theater a life-changing experience’—Gawad Buhay awardees
Is it true that the Gawad Buhay PhilStage Award for the Performing Arts gets better and better every year, as claimed by one of this year’s hosts, Topper Fabregas?
Is it true that the Gawad Buhay PhilStage Award for the Performing Arts gets better and better every year, as claimed by one of this year’s hosts, Topper Fabregas?
Less than two years since “change” cursed and killed its way into this corner of the world, and already, the theatrical landscape betrays heavily our collective frustrations with this
There were only seven productions that were up for consideration for the 2017 Philstage Gawad Buhay midyear citations: five plays and two dance productions. Three of the five plays
ONGOING Repertory Philippines ‘Agnes of God,’ until March 12, Onstage, Greenbelt 1 John Pielmeier’s play about a young nun who gives birth but has no recollection of her
The play’s crowning glory is its holy trinity of actors
Repertory Philippines’ second production for its 50th anniversary is John Pielmeier’s “Agnes of God,” a play it had first staged in 1983 with Pinky Amador as Agnes, and Rep cofounders Zeneida “Bibot” Amador as the mother superior and Baby Barredo as the psychiatrist.
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