Experience the beauty of Spanish music theater featuring tenor Enrique Viana, one of the leading men in Spanish zarzuela, and Spanish pianist Daniel Oyarzabal in the performance “Romantico Enrique Viana” (The Unending Passion of the Zarzuela) on June 11, 8 p.m., at the Little Theater of the Cultural Center of the Philippines.
The Cultural Center of the Philippines offers prepaid cards that can be used in paying for tickets to selected shows.
MARK BAUTISTA, Arnel Ignacio, OJ Mariano, Jamie Wilson, Marco Sison and Niño Alejandro headline the newly formed Viva Atlantis Theatricals’ inaugural production, “The Full Monty,” which opened yesterday and runs until May 5 at the Carlos P. Romulo Auditorium, RCBC Plaza, Makati City.
Tanghalang Pilipino, resident theater company of the Cultural Center of the Philippines, will open its 27th season (2013-2014) with a children’s musical.
The 1987 blockbuster movie “Dirty Dancing” started as a cassette tape that held its uncut soundtrack, which was repeatedly rejected by every major studio, according to “Dirty Dancing” creator, coproducer, and scriptwriter Eleanor Bergstein.
The Embassy of Spain in the Philippines, Instituto Cervantes de Manila and Cultural Center of the Philippines present “The Best of Spanish Cinema.”
THE CULTURAL Center of the Philippines was following up previous awardees of Gawad CCP for the Arts, reminding us to wear Filipiniana, please, please, and your medals, please, please, please!
Guess who’s coming into town next week? The country’s foremost international conductor Oscar Yatco, that’s who.
Next year may well be a banner year for the venerable, 43-year-old Cultural Center of the Philippines (CCP), in view of the heady mélange in store for audiences, budding artists and online addicts: operas, musicals, concerts, plays, indie films, dances, social media, art exhibits, workshops and master classes, and digital and multimedia offerings.
Another major work of our greatest poet Francisco Baltazar (Balagtas), apart from “Florante at Laura,” is “Orosman at Zafira.”
By native, we mean, of course, original Filipino material, which for much of this year seems to take a beating from either a general lack of visibility or the lackluster quality of many new homegrown offerings.
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