Balag of BALAG: the Installation Art in a Musical
At first, the larger-than-life crisscrossed balag that framed the audiences as they walked inside the auditorium were for aesthetics. But the moment the stage design and the spatial intervention in
At first, the larger-than-life crisscrossed balag that framed the audiences as they walked inside the auditorium were for aesthetics. But the moment the stage design and the spatial intervention in
BALAG, the Musical is based on the life story of installation artist, Junyee.
Fixation with preserving one’s self-image, both real and unreal, has become a way of life, and this truth reverberates in Ang Sundalong Hambog, DUNGAW’s gastronomical version of the Plautinian play under the direction of Elmer Rufo.
LOS BANOS, Philippines–DUNGAW, or Dulaang Batingaw, stages ‘Ikalawang Tunog ng Batingaw’, a bill of two one act-plays by Layeta Bucoy, namely, ‘Ganito Kami Magmahal, Kayo, Pa’no?’ and ‘Doc Resureccion:
Matabagka preserves the qualities of a Philippine epic. The human characters in the play become superhumans with the aid of their talismans. Imbununga defeats his enemies at war using his
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