By Vincen Gregory Yu
While ABS-CBN assembled its bevy of celebrities for its annual, highly publicized dress-and-glam-up festival known as the Star Magic Ball, the palatial Tanghalang Nicanor Abelardo of the Cultural Center of the Philippines (CCP) played host to an event of even grander and genuinely international scale.
By Dennis N. Marasigan
A recent list by Entertainment Weekly of the best plays of the last 100 years prompted a timely question from the Script Analysis class I am conducting for the Tanghalang Pilipino Actors Company: Why is there no such list for Philippine theater?
By Rody Vera
I was fortunate enough to get cast in Tanghalang Pilipino’s critical hit “Stageshow,” the last and most fabulous play by the late, great Mario O’Hara. Doing the show was both exhilarating and disappointing, though. Exhilarating because every time we performed it, something magical was happening to all of us. It was so irreverently Pinoy and unflinchingly human. And during every show we felt Mario’s spirit watching over us laughing, the way he probably used to do every Christmas.
By Amadís Ma. Guerrero
In the days of yore, the comedian Canuplin made a name for himself in the entertainment world, modeling his antics after the great Charlie Chaplin, “the eternal tramp.”