‘Birds of the same feather, they flock each other’
Your mantra for the week: “I love money and money loves me in return.”
Your mantra for the week: “I love money and money loves me in return.”
Philippine Educational Theater Association’s (Peta) “FnL,” a modern reworking of Franciso Baltazar’s “Florante at Laura,” presents an unusual encounter of Balagtas’ language and contemporary Filipino slang like “bekimon” and “jologs.”
A woman with her back against the wall curses the heavens as she slowly falls to her knees. A man punches the wall and flips over the dining table.
Niccolo Manahan can be self-deprecating to a fault. “I hate the sound of my voice, and I hate looking at myself,” says the 35-year-old actor who recently played M in Red Turnip Theater’s “Cock.”
After attending the beautiful wedding of Sean Anthony and Teresa Herrera in Boracay last week, I can truly say that love is in the air.
When Rem Zamora was tasked to direct Red Turnip Theater’s staging of the Olivier Award-winning play “Cock,” he was terrified.
JOHN Logan’s Tony-winning play “Red,” which made its Manila debut last year via a production of The Necessary Theatre starring Bart Guingona as the abstract expressionist Mark Rothko and Joaquin Valdes as his (fictional) apprentice, returns for eight performances at the CCP’s Tanghalang Huseng Batute.
When “Katy” opened on Jan. 27 at the Cultural Center of the Philippines, not only was it the first local production to raise its curtain this year, it was also a harbinger of sorts.
It’s been a year of firsts for Angel Aquino. A few months ago, she started making her own water kefir—sugar water or juice that has been fermented with grains that contain bacteria and yeasts. “I started out with four tablespoons of kefir grains and now I have five jugs of kefir water,” she says.
Heartbreak is the theme of the stage play “Closer,” written by English playwright Patrick Marber. Some aspects of it seem close to home to actor-director Ana Abad Santos.
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