“Ang Katatawanan ng Kalituhan,” running until Sept. 11 at Wilfrido Ma. Guerrero Theater in UP Diliman, is the Filipino translation
of William Shakespeare’s “The Comedy of Errors,” by Palanca award-winning playwright Guelan Luarca, directed by Alexander Cortez. PHOTO BY ADRIAN BEGONIA
Mistaken identities? It’s Shakespeare, not the headlines
Dulaang Unibersidad ng Pilipinas’ (DUP) 41st season opener “Ang Katatawanan ng Kalituhan,” ongoing at Wilfrido Ma. Guerrero Theater in University of the Philippines Diliman, is the Filipino translation of William Shakespeare’s “The Comedy of Errors,” by Palanca award-winning playwright Guelan Luarca.
And how apt that it is about mistaken identities, given how that phrase has dominated headlines lately, though hardly in a funny context.
“You know naman what’s happening with mistaken identities; you don’t have to look far,” says director Alexander Cortez.
“[The play] starts with impending death, with Act 1, Scene 1 establishing that dark tone. But by Scene 2, it’s already hysterical. In between Acts 1 and 5, the comedy of mistaken identity comes out. But even mistaken identity can be very tragic.”
The story is about a father named Egeon and his search for his identical twin sons who were separated from him in a shipwreck. His search leads him to the city of Ephesus, where all kinds of misadventures unfold.
While “Ang Katatawanan” is a faithful translation of Shakespeare’s text, Cortez says Luarca was able to make it very contemporary.
“That’s the beauty of Shakespeare. You can have a translation based on the original work and still adapt it to present-day situations; it’s in the manner of presenting it.”
Directing Shakespearean plays is not new territory for Cortez. For DUP, he has directed “Macbeth,” “Richard III” and “Measure for Measure,” and has also acted in “Much Ado About Nothing” and “As You Like It.”
Incidentally, he acted with Guelan’s father Ward Luarca in 1978, for Rolando Tinio’s adaptation of “As You Like It” under Teatro Pilipino at Cultural Center of the Philippines.
“Now I’m working with the son; isn’t that wonderful?”
“‘The Comedy of Errors’ was the very first Shakespearean play I translated,” says Luarca. “I was in fourth year high school; Sir Ron Capinding asked me to do it.”
Luarca graduated from high school at Ateneo de Manila University in 2009.
“Sadly, I lost my soft copy when my old laptop broke down, and my hard copy got eaten by maggots after [Typhoon] ‘Ondoy.’ So when Sir Dexter [Santos] and Sir Alex contacted me to translate it, I said yes immediately, recalling how much fun I had translating it years ago. So this one for DUP is completely new, and I think, a lot better since I’m now nimbler with the language.”
In between the two translations (2009 and 2016 versions) of “The Comedy of Errors,” Luarca translated and adapted other Shakespearean plays like “Troilus and Cressida” and “The Tempest” (with BJ Crisostomo).
When it comes to translating the Bard, Luarca says he looks up to the works of National Artist for Literature Rolando Tinio.
“From Tinio, I learned that a strange mix of what we call classical, ‘literary’ Filipino and contemporary ‘kanto’ Filipino is best when translating Shakespeare’s comedies. It’s helpful to recall that Shakespeare himself used a mixed register of courtly and idiomatic, ‘taverny’ language in both his tragedies and comedies.
“So I aimed to create poetic sounds and to catch Shakespeare’s sense, hopefully so that the actors can sell the translation first as a piece of classical, literary writing. But really, look at my translation and you will catch strange, contemporary-sounding choices here and there as an attempt to reflect Shakespeare’s ‘tongue in cheek.’”
Dexter Martinez Santos, DUP’s artistic director, says the show is “a good way to start the 41st season. We wanted something big. Pag sinabing Shakespeare, gusto ng DUP.”
The first DUP Shakespearean play was the Filipino translation of “Much Ado About Nothing” by Lilia Antonio titled “Pagkahaba-haba man ng Prusisyon, sa Simbahan din ang Tuloy,” directed by DUP founding artistic director Tony Mabesa. It was part of DUP’s 1st season, 1976-1977.
All in all, Santos says DUP has staged 15 Shakespearean plays, excluding “Katatawanan.”
“Revelations” is the theme of DUP’s 41st season, which also offers Leoncio Deriada’s three new one-act plays under the collective title “Distrito de Molo” (Oct. 12-30), to be directed by Mabesa.
Playwright Rody Vera and director José Estrella’s “Faust” follows on Feb. 15 to March 5, 2017. Ending the season is Floy Quintos’ new work “Angry Christ,” a play about the controversial Filipino expat painter Alfonso Ossorio, to be directed by Santos, and will run from April 26 to May 14, 2017.
“Ang Katatawanan ng Kalituhan” runs until Sept. 11 at Wilfrido Ma. Guerrero Theater, 2/F Palma Hall, UP Diliman. Call Arkel Mendoza 0908-8149975, 0917-9673616, Joshua Chan 0917-6775141, Zia Parcon 0915-3385227 or DUP office 9261349, 4337840, 9818500 loc. 2449. E-mail [email protected]