No other artist like Fidel Sarmiento has brought the luxury of visual art to people—from Bukidnon to Bilibid, from schoolchildren to seniors—demystifying and mystifying the process of painting, yet simultaneously encouraging the pursuit of artistry embedded in the Filipino’s DNA.
Wielding his painterly wand, he demonstrates how colored pencils or pastels on paper, even a household sponge dipped in house paints and swiped on canvas, can produce another Amorsolo.
Then he distributes pastels and paper paraphernalia, and, with his group of artists, coach the audience living behind bars, or tribal people, or awed grade schoolers.
Yes, he makes it look as simple as shooting hoops street style, with visions of LeBron James.
Sarmiento, the wizard of visual art, appears to be on a mission. Hence, for the past years, he tirelessly traverses the islands influencing as many people as he can with his style of Painting 101.
But he humbly says, “Wala po akong mission. Ang maibahagi, maituro sa iba at magamit sa makabuluhang gawain ang talentong binigay sa akin. Bahala ang Diyos kung saan ako magiging kapaki-pakinabang.” He adds, “Alagad lang po ako ng sining (I have no mission but to share and to impart God’s gift. God shows the way as to where I’m needed. Am just the keeper of the art).”
President for 16 years of the oldest artists’ group, the Art Association of the Philippines (AAP), he forged with Government Service Insurance System (GSIS) an on-the-spot painting contest held annually since 2004. People of all persuasions spill out of the hallways of the GSIS offices in the reclaimed bay area, onto the multilevel entrance steps, creating masterpieces from daybreak to dusk for the coveted honor of winning over thousands of other artistic hopefuls.
For the 4,000 nationwide AAP members, Sarmiento and his officers continuously market their works, collaborating with various organic galleries, medical groups, and foundations to benefit charities like the San Lorenzo Ruiz Home for the Elderly.
Outreach program
Almost every month, the indefatigable visual virtuoso holds an outreach program, the latest organized by Gov. Joe and Vicky Zubiri in Bukidnon for the Manobo tribe. Last December, a plein air painting in Baguio with a group of seniors, headed by former Makati Vice Mayor Conchitina Bernardo, was held.
This February, he is the inaugural artist of Happy Garden Café, a wellness destination on Jupiter Street, Makati.
Every year, inmates blend oil pastels with him and AAP members. Three years ago, he painted with Ormoc schoolchildren hosted by Rep. Lucy Gomez. Two years past, he exhibited in Honolulu with actress-artist Heart Evangelista for the 119th Philippine Independence Day.
For some time, he juried and showed in Seoul, Korea.
Just turned 59, he has traveled and enthralled the world with his canvases from Europe to America to Asia, winning awards for himself and the country.
Such is the spectrum of Sarmiento’s reach. No one was too low or too high, too healthy or too sick, to be touched by the healing and enriching art of painting.
On his fifth year as the wizard at Sunshine Place, he enchants the seniors on four wheels, a third leg, or on active twos, rejuvenating their endorphins on colorful canvas glory.
The five-story Sunshine Place on Jupiter in Makati is a foundation built by SM’s Tessie Sy Coson in honor of her mother and all mothers.
Its president, Lizanne Uychaco, a bank executive and the country’s foremost feng shui mixed-media artist, asked Sarmiento to be the resident art professor. “We are lucky to have Sarmiento sharing his talent,” she says. “He is truly a living national artist.”
Quite a storyteller, Sarmiento recalls how it all started, his childhood days of chalking all sorts of images on pavements and streets, his high school days of drawing teachers’ portraits instead of listening to lectures, of bolting out of architecture’s rigid structure in his first year at Mapua, to the fine arts classes at Feati where he graduated.
His innate artistic genius, honed by experience, is evident on canvases of stunning details, perfecting the yin and yang of clean lines and soft, caressing colors.
Making magic
Every day in his Sta. Rosa home, Sarmiento makes magic with his brushes, incorporating his signature trademarks into timeless pieces. The “masking tape,” symbolizing “holding on to the past,” is a perfect trompe l’oeil.
“Larawan ng Kahapon” is a picture-on-picture canvas of the past, with ribbons of the sky, the sun, the sea, the earth.
“Pamana” is a photorealistic painting of a living room with polished wooden floors and displays of porcelain jars, books, lamps and Amorsolos.
“Mahalagang Butil at Papel” is a winnowing basket of rice, with the Philippine peso, US dollar and China’s renminbi representing the “new economic world order.”
“Alaala Ng Lumipas” depicts ruins of a bahay-na-bato, a pigeon perched on a jar, fronting harmonious color gradations.
“Buhay Pinoy” and “Tag-Tuyo Na Naman” portray dried fish on old newspaper, few peso bills and a paper bag.
Sarmiento gazes at leftover colors on a palette, and quickly transforms them into a collectible work of art—a blue vase with delicate flowers or nine kois swimming toward a lotus flower.
He desires the viewer experience to go beyond colors and canvas: “Gusto ko makita at maramdaman nila na ang aking obra ay likha ng Filipino artist. Gusto kong maramdaman nila hindi lang ang ganda ng kulay kundi pati na ang mensahe (To look at my works and know they are done by a Filipino artist, not just to admire the beautiful colors but to get the message).”
The fortitude of gratitude is infused in his being. That’s Sarmiento, the People’s Artist. –CONTRIBUTED