‘Mother of Philippine churches’

‘Mother of Philippine churches’
Cardinal Luis Antonio Tagle, papal nuncio Archbishop Gabriele Caccia, former chief justice Artemio Panganiban

“A testament of faith.”

This was how Cardinal Luis Antonio Tagle, Manila archbishop, described the recently launched book “Manila Cathedral: Restoring a Monument of Faith, Architecture, and History.”

It was principally edited by architect Gerard Lico with essay contributions from Lorelei de Viana, Patrick Flores, Kali Llamado, Edison Molanida, Timothy Ong and Ryan Reyes.

Photographs are by Eric Beltran, Timothy Ong and Mark Henrich Go.

The book chronicles the history of the cathedral from the first structure of light materials in the late 16th century to its numerous reconstruction due to damages wrought by fire, earthquakes and World War II, to its recent restoration spearheaded by the Manila Metropolitan Cathedral Basilica Foundation Incorporated (MMCBFI).

Featured is the church’s liturgical art, such as the stained-glass windows of Galo Ocampo, reliefs, sculptures and mosaics.

Also featured are liturgical artists attached to the church such as Juan de Uguccioni, who made major renovations in the 18th century, and architect Fernando Ocampo Sr. who was instrumental in the present cathedral, which was reconstructed from 1956 to 1958.

The book also has never-
before-seen archival materials and photographs, such as the plans for its postwar reconstruction and architectural scans and reports for the restoration done from 2012 to 2014.

Inquirer chair emerita Marixi Prieto and other trustees of Manila Metropolitan Cathedral Basilica Foundation Inc.

Joining the launch Archbishop Gabriele Caccia, papal nuncio to the Philippines, former Chief Justice Artemio Panganiban, Alfred Ty of the GT Foundation, which helped in funding the restoration of the church and publication of the book, and members of the MMCBFI, such as Marixi Rufino Prieto, emeritus chair of the Philippine Daily Inquirer.

During the event, Tagle said Manila Cathedral is more than the structure, more than its architecture.

It is a symbol of faith and love, he said, explaining “if there’s love, we will always rebuild.” —CONTRIBUTED

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