‘Exciting’ works by Ang Kiukok, Joya, Zobel, Magsaysay-Ho, Olazo are auction highlights | Inquirer Lifestyle

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“Rooster” (1985) by Ang Kiukok

‘Exciting’ works by Ang Kiukok, Joya, Zobel, Magsaysay-Ho, Olazo are auction highlights

“Rooster” (1985) by Ang Kiukok

Depictions of Philippine rural life by midcentury modern masters such as Ang Kiukok and Anita Magsaysay-Ho are highlights of the Magnificent September Auction of León Gallery on Sept. 19 at 2 p.m..

National Artist Ang Kiukok’s 1985 piece, “Rooster,” showcases a fighting cock’s beast-like features and his strong colors and brushstrokes. The fierce animal has a commanding presence, standing firm with its unflinching eyes, towering wings and enlarged feet.

Magsaysay-Ho’s charming portrayal of a street hawker in “Plant Vendor” features an everyman in a day’s hard work.

“Each auction always fills me with excitement,” said León head Jaime Ponce de León. “This particular edition… is made even more special as it comes in these pandemic times.”

Ponce de León said that health and safety protocols would be observed at León Gallery’s auction hall at Eurovilla I, Legaspi and Rufino Streets, Legazpi Village, Makati.

‘Well curated’

León consultant Lisa Nakpil said the auction lots were “well curated”

“Ranging from prized masterpieces to museum-quality antique furniture, gold pieces and maps, the upcoming live auction is made more special as the celebrated centuries of Philippine art are well represented.”

“Nida” by Rodel Tapaya

Among the modern works are intriguing surreal, ethereal works out of masterful abstraction techniques. Fernando Zobel’s “La Fuente (Seville)” presents his focus on the essence of form and structures as he captures his memories of Cuenca, Spain, through his signature “paring down” process.

“Diaphanous B-XXXVII” (1980) is a fine masterpiece of Romulo Olazo, best known for his explorations on light and transparency techniques resulting in translucent, geometric layered forms that compose his “Diaphanous” series.

“Diaphanous B-XXXVII” (1980) by Romulo Olazo

There is a transcendence of form in the exceptional José Joya masterpiece “Peace Routes,” featuring the National Artist’s play of colors and strokes, mastery of the medium and elimination of excessive brushwork in expressing emotion.

Abstract art tradition

Bernardo Pacquing continues to revolutionize the abstract art tradition with his epic work, “Untitled (Human Skeleton Series),” fusing figurative and nonrepresentational forms.

Annie Cabigting is another exciting contemporary artist who gives refreshing perspectives on how people consume art. Her “Composition in Black and White (Painting 1)” reveals her refined hyperrealism techniques and serves as a more introspective look on the relationship between an artwork and the viewer.

Calvario en Urna from the 19th century (ivory figures; corpus of solid ivory, with silver-gilt rays, “cantoneras,” “ynarre,” “paena” and tapis, with piña cloth)

Drawn to precolonial Filipino folklore and cultural history, Rodel Tapaya’s epic “Nida” is charged with expressive colors and lines—an imaginative and whimsical depiction of a mythological female figure.

One of the country’s most significant contemporary artists, Jose John Santos III reveals a mysterious and highly personal—albeit autobiographical—work, aptly titled “Through the Peep Hole.” It is a symbol-laden glimpse into the relationship between a man and a woman, offering insights into the human condition as social beings.

His fellow artist (and wife) Pam Yan Santos addresses the effects of rapid urbanization as she renders multiplying mushrooms that represent the rise of buildings and infrastructures in her thought-provoking piece, “Mushroom Building.”

“Through the Peep Hole” by Jose John Santos III

‘Holy grail of PH maps’

Among the trove of coveted lots are important maps. The “holy grail of Philippine maps,” the Murillo Velarde, appears in a reduced but still extremely valuable incarnation as part of the rare book authored by this Jesuit scholar. Also featured is a 19th-century Calvario en Urna, with a Corpus of Christ made of solid ivory. It has the Tres Marias included in the scene. The 19th-century kamagong sillon (lounging chair) was once the property of Félix Resurrección Hidalgo.

The Magnificent September Auction is hotsted by León Gallery and ANCX.ph, lifestyle site of ANC, ABS-CBN News Channel. —Lito B. Zulueta INQ

Tel. 88562781; visit www.leon-gallery.com.

Three-Coil Gear Beaded Gold Neck Ornament (circa 10th-13th century, Surigao del Sur, 18-21 k gold)
Slit Hoop withMammary Forms Gold Ornament (circa 10th-13th century Agusan province, 18 k yellow gold)
Murillo Velarde map
Engraving of the Virgins of Makati and Antipolo by Laureano Atlas, a Tagalog artist, “undoubtably the best that appeared in the Philippines in the 18th century,” according to Carlos Quirino
“Plant Vendor” (1952) by Anita Magsaysay-Ho
“La Fuente (Seville)” by Fernando Zobel
“Sillon Fraile” from the 19th century, “kamagong”
“Peace Routes” (1981) by José Joya