Chopin and The Beatles go hand in hand at Ballet Manila’s season ender

What’s your favorite Beatles song? While common answers would probably be hits like “Here, There, Everywhere,” “Something,” and “A Day in the Life,” the band’s over 280 song oeuvre spanning eight years means that if you ask that question to a room full of people, you might get completely unique answers. (For the record, mine is “Golden Slumber” from Abbey Road)

One of the reasons why the Beatles was so successful was because they had a distinct approach to popular music. By mixing stories, unique structures, and orchestral arrangements into their work, they made songs that weren’t unlike a sort of modern-day Chopin. Which is why Ballet Manila’s upcoming show, “Deux,” which is a double header show (hence the name) featuring both the Romantic era composer and one of the greatest rock bands in the world, is not a weird mix. In fact, the mix of classical and contemporary end up complementing each other.

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Les Sylphides lone danseur dances with one of the muses at the “Deux” media preview

“Deux” is closing off Ballet Manila’s 23rd Tour de Force season on Mar. 2 and 9 at 6 p.m. and Mar. 3 and 10 at 3 p.m. The show’s first chapter features vignettes of classic ballets, like a pas de deux featuring Ovid’s Diana and Actaeon, the pas d’action from La Bayadère, and the iconic ballet blanc Les Sylphides. The latter follows the original lyric choreography of Michael Fokine, which highlights the strict and regulated pointe dancing in classic ballet.

Les Sylphides is a narrative-less dance showing a poet dancing with his moonlit sylph-figured muses. It’s meant to evoke the “trance-like state the moment we become extremely creative,” said Ballet Manila artistic director and co-founder Lisa Macuja-Elizalde at the “Deux” media preview. She also admitted that watching the La Bayadère dance from the wings “took [her] back,” since the company used to open with the pas d’action in its early days. “We’re passing on the baton,” she said of the classical dances being performed by the new generation of dancers.

The second chapter, meanwhile, is the Beatles-inspired The Winding Road. It’s the world premiere of the Martin Lawrence show, a contemporary dance set to “Here, There, Everywhere,” “I Saw Her Standing There,” “The Long and Winding Road,” and other iconic hits by the band. Lawrence, the British choreographer who’s worked with Ballet Manila before for 2016’s “Rebel” and Aria from 2018’s “Ballet and Ballads,” has this to say about the young dancers of the company: “Amazing. It’s their dancing that brings Winding Road to life…To make something different, you have to be challenged. And boy, do they challenge me.”

“Deux” will be held at the Aliww Theater in the CCP Complex. For more information on the show, visit Ballet Manila’s website or their Facebook page. You can buy tickets at Ticketworld.com

 

Featured photos courtesy of Ballet Manila

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