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OCTOBER 27, 2022
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Byline: Vincen Gregory Yu (Contributor)
LATEST ARTICLES
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In ‘Koro/Nasyon,’ the ensemble as theater royalty for an evening
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A mesmerizing yet confounding ‘Makbet’
April 1, 2017
2:15 am
‘Wicked’ now more than just a spectacle
February 18, 2017
2:15 am
‘Vanya and Sonia and Masha and Spike’ is a winsome foursome
January 28, 2017
2:45 am
More Best of Theater 2016: A fine sampling
December 24, 2016
12:30 am
‘Mula sa Buwan’ sings, ‘A Little Princess’ sags
December 10, 2016
2:30 am
‘Fun Home’: Piercing clarity in haunting ambiguity
November 19, 2016
3:00 am
‘Distrito de Molo’ and ‘Boy’: Why it all starts with the material
October 29, 2016
2:30 am
Heartbreak in ‘Changing Partners,’ easy comforts in ‘Annie’
October 22, 2016
2:30 am
In ‘Ako Si Josephine,’ Yeng Constantino’s music ignites a revolution
October 1, 2016
2:45 am
In ‘Koro/Nasyon,’ the ensemble as theater royalty for an evening
September 17, 2016
2:15 am
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