A puppet figures in Tanghalang Pilipino’s (TP) premiere of Malou Jacob’s “Batang Mujahideen.” It is the character of Fatima, who...
First things first: “Under My Skin” is indisputably a return to form for the Philippine Educational Theater Association (Peta). As...
In 2017, Manila saw two plays by the American playwright Sarah Ruhl—“Eurydice,” mounted by Tanghalang Pilipino using a Filipino...
Six productions by five member companies bagged a collective 52 citations in the second semester of 2019 Philstage Gawad...
What’s in store for Manila theater in 2020? Twelve new musicals (from revivals of Trumpets’ “Joseph the Dreamer” and Black...
We’re not here to deal with what Lin-Manuel Miranda calls “crazy hypotheticals.” For instance, from the grapevine: The stage adaptation...
Every year, for the last 15 years, the Cultural Center of the Philippines (CCP) has devoted two to three...
So many plays, so little time. There’s the gist of the last 10 years in Philippine theater—or, at least, the...
One major limitation of print publications is the availability of space in any given issue. It is for this reason...
If you happen to be a Filipino cinephile who came of age on social media from the late 2000s onwards,...
