THE DAILY news is full of statistics of the dead and the dying. But, still, I turn to live classical music. So many things these days do not favor going
The tensions, confusions, anxieties over a missing tenor, among other stresses behind an opera production make for a good libretto for a new musical.
ART VERSUS mediocrity is the conflict in the Moises Kaufman play “33 Variations,” which is running on weekends at White Space until Aug. 23. Shamaine Centenera-Buencamino, as Katherine Brandt, renders
THE FIRST-EVER Manila staging of Rossini’s “La Cenerentola” (Cinderella) will take place Aug. 15, 8 p.m., at the Meralco Theater, with the country’s leading tenor Arthur Espiritu as Don Ramiro,
On many levels, a programming that stays within the territory of the First Viennese School is fiendishly difficult to pull off. The justification of the period relies heavily on the formulations and definitions put forward by scholars from Kiesewetter in the 19th century to Sandberger, Adler and Fischer during the musicological revolution of the 20th.
The power of Beethoven’s Eroica Symphony, the beauty of a Mozart concerto, and two seldom-heard Mozart arias are the top attractions of the July 11 concert of Manila Symphony Orchestra (MSO) under the baton of Darrell Ang at Philippine Stock Exchange Auditorium, Tektite Tower, Ortigas Center, Pasig City.
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