Fernando Sena, the art world’s silent mover
George Bernard Shaw’s sour observation—that those who can, do and those who can’t, teach—doesn’t really hold water in the case of Fernando Sena.
George Bernard Shaw’s sour observation—that those who can, do and those who can’t, teach—doesn’t really hold water in the case of Fernando Sena.
“KUNG Paano Ako Naging Leading Lady, The Musical,” written by Carlo Vergara based on his one-act play and graphic novel of the same title, is having a rerun. It is
Painter Fernando B. Sena is holding his art workshops on drawing and painting at the following venues:
The drive to San Antonio, Zambales, to visit artist Elmer Borlongan took a little over three hours. This was five hours shorter than when he first made the trip as the first artist-in-residence at Casa San Miguel in the early 1990s.
After lunch, some Sundays, my son and his wife take me to a Thai massage place called TonTon, a quiet oasis in the neighborhood. Uniformed girls with powerful arms who take you over remind me of a DI in Rose’s studio. His name was Jiggs and he had a girlfriend who was a masseuse.
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