“A Haunting In Venice” Film Review: A Tale of Acceptance
The film is at its best when our concepts of rationality and the natural world are challenged. Spoilers ahead There’s something cathartic about murder mystery films. Whether it’s
The film is at its best when our concepts of rationality and the natural world are challenged. Spoilers ahead There’s something cathartic about murder mystery films. Whether it’s
This quiet film is an unconventional blockbuster that presents a meditative experience of cinema. Spoilers ahead Since the local release of “Past Lives” by TBA Studios last August
In romance, the “getting together” is the story, the “falling in love” the end, but in the latest movie from Viva Films, “Never Not Love You,” the love is only the beginning.
The movie sometimes cannot resist making cheap shots or sweeping claims against the Church, but the tendentiousness is balanced by sensitivity.
From “La Femme Nikita” to “The Professional” to “The Fifth Element,” French writer-director Luc Besson has created some of the toughest, most memorable female action heroes in recent cinematic history.
It was one of the more striking transformations in any personal filmography. In the 2003 ensemble film “Love Actually,” Brazilian actor Rodrigo Santoro played Karl, a handsome, sweetly shy tech guy in the early stages of an office romance with Laura Linney’s Sarah. Then, in a truly astonishing change, Santoro was unrecognizable but utterly unforgettable as the grotesquely pierced, inhumanly tall, power-mad god king Xerxes in the kinetic historical action epic “300.”
“Nooo!” One guy wailed, looking utterly crushed when the ticket booth personnel told him the theater was already full. If he dropped on his knees and said the world was about to end, we wouldn’t really blame him. It was past 10 p.m. on a Friday night, and the SM Mall of Asia Cinema ticket booth was still crowded with panicking “Rurouni Kenshin” fans. That night, even had to open one more cinema at the last minute to accommodate the demand. All this for one man who, quite literally, bears a cross for everyone to see.
Set in the Buenos Aires of Jorge Luis Borges, “Un Cuento Chino” (2011), directed by Sebastián Borensztein, begins with an exotic scene on a river in far-away Fujian, China, with two lovers on a wooden boat on a perfect day.
From Spain comes an unusual cartoon that tackles the conditions of old people.
Who would have thought the world-changing events such as the Cuban Missile Crisis and the Cold War had mutants involved? In “X-Men: First Class,” a loose adaptation of the comic
The latest in global fashion, beauty, and culture through a contemporary Filipino perspective.
COPYRIGHT © LIFESTYLE INQUIRER 2022