SHOPPING LIST: Cost-efficient beauty finds worth your payday weekend splurge
Ah, yes, the legendary payday weekend where all dreams come true. At least for a few days. And then we start dreaming of…
On being Tanghalang Ateneo’s new artistic director: ‘I won’t lie—being AD is a dream. But I imagined this [happening] 20, 30 years from now, hindi ganitong agad-agad.’
Remember that story about the fair-skinned, virginal girl with the evil stepmother whose talking mirror has dreams of becoming a Miss Universe pageant judge? How about the one with the girl in supposedly eternal sleep, who can be awakened only by the kiss of a stranger? And the farm boy who scales a beanstalk and earns the ire of a giant apparently living in the stratosphere?
Tanghalang Ateneo, the longest-running theater company of the Loyola Schools of the Ateneo de Manila University, presents Glenn Sevilla Mas’ “Rite of Passage: Sa Pagtubu kang Tahud (An adaptation of a Kinaray-a short story by Maria Milagros Geremia Lachica),” beginning Nov. 27 under Ron Capinding’s direction.
The past weekend of theatergoing can be summed up by the words of the esteemed playwright Glenn Sevilla Mas, who, in an exclusive interview last year
As on the streets, the millennials are leading the charge for and remaking local theater
Bit by Bit Company, in cooperation with Hero, Blueberry & West, presents this December the twin bill “Children’s Plays...
A portion of Frances Makil-Ignacio’s dining table is covered in a psychedelic pool of loom bands, some near-spilling from what was supposed to be a cupcake stand.
At 31, this Young Turk directs (Tanghalang Ateneo’s ‘Middle Finger’), designs sets (Red Turnip’s ‘33 Variations’), teaches stage management and serves as theater manager of Power Mac Spotlight at Circuit Makati
Tanghalang Ateneo, the longest-running theater company of the Loyola Schools of the Ateneo de Manila University, opens its 37th season...
“Games People Play” is a Palanca-winning play by Glenn Sevilla Mas. It is tempting to think that the play is autobiographical in some form. But whether the playwright drew heavily from his own memories or not is irrelevant. What he has done is create a work that is gripping, relevant, immediate, and ultimately relatable to any one, regardless of their childhood memories.
