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The jeweler Hans Brumann’s latest collection is called “His and Hers, His and His, Hers and Hers, To Have...
A montage of hardwoods—narra, kamagong, yakal, molave and oakwood—are rendered in geometric planes, organic forms and rigid lines. Their rough...
Many of us were raised in a crowded city, the so-called concrete jungle, but lucky are the few who grew up in places where there is, as the real estate ads like to remind us, more grass than glass.
Hans Brumann’s sculptures are based on images that come to him in dreams. He translates them into solid forms using mother-of-pearl, kamagong and other kinds of local hardwood and, lately, steel.
Brumann at Globe In celebration of his 76th birthday, Hans Brumann will open the exhibition, “Variations in Mother of Pearl,” on...
When he is not creating jewelry, Hans Brumann wears his other hat as a sculptor.
Jeweler Hans Brumann balances the “most beautiful” delicate yellow sapphire on top of his two fingers, envisioning how it would look once set between two smaller diamonds in a gold ring.
Some artists thrive on visual tension. Contrasts in colors and forms, polarity of abstraction and figuration, asymmetry in composition, even...
Jeweler Hans Brumann has an idiosyncratic approach to jewelry, treating it both as an accessory and an art.
The recent opening of the “ArtWearAble” exhibit at Yuchengco Museum proved that man was no longer “just a subject but a canvas for contemporary artists.”
