‘Bad Boys For Life’ sees the Boys go ‘Lethal Weapon’ on us
You would be forgiven for mistaking “Bad Boys for Life” to be the fourth entry in the franchise when actually it’s just…
Your mantra for the Double “10” Week: “I am ready to receive all my blessings.”
New Joya Gallery holds inaugural exhibit JULIAN Ongpin Young Artists (Joya) Gallery presents “At The Heart of It,” a three-man...
ROMULO Olazo, who passed away on Aug. 18 at age 81, was one of the most dominant abstractionists of the...
OVER 30 art galleries, including those from Malaysia and Singapore, will be taking part in the 2015 ManilArt on Oct....
His was an act of courage, bristling with anger and sarcasm. It was the voice of outrage, at last giving vent to a long-observed phenomenon, and in his refusal to acknowledge the death of the art that he loved most, he took up the cudgels for other artists who, while longing to get those juicy commissions, resent the subservience demanded of space, scale and chromatic specifications, working under instructions handed down by architect, engineer and interior designer.
Jonathan Olazo is holding his latest solo exhibition at Manila Contemporary’s Main Gallery.
