It’s the Big Pinipig Crunch,” says visual artist Jose Tence Ruiz of the massive chocolate-brown cast fiberglass construction looming in the center of his home workshop.
FOR THE longest time the culturati didn’t know how to classify the five pillars of komiks— Tony Velasquez, Francisco Coching, Mars Ravelo, Larry Alcala and Carlo Caparas—until 2014 when the
The Philippines makes its debut at Venice Architecture Biennale
Every minute, two Orgasm Blushes are sold. That’s over half a million pieces in 2015 alone. Though the blush debuted in 1999 when Francois Nars made a name for himself
ALTHOUGH they do manually demanding work as much as they perform the intellectual labor of conceptualizing and designing, artists are often likened to writers, thriving in their solitude and “apartness.”
GERMAN Moreno called for the conservation of the Metropolitan Theater while actor Xian Lim proudly posed before a large fantasy portrait of a woman in Renaissance costumery he himself had
He has crafted an oeuvre of sensuous verve, of deliverance from our cement dust-laden, traffic-mired urban blues, a salve for our post-post-modern times where no heroes are allowed to roam with hidden warts.
VENICE—The Philippine Pavilion at this year’s Venice Biennale has appeared on several lists of not-to-miss spaces for its thought-provoking theme, “Tie a String around the World.” Curator Patrick Flores, who
Moored inside one of the upper rooms of the impressive Palazzo Mora in Venice, Italy, is an evocation of the BRP Sierra Madre, the World War II-vintage
Perception is all. Perspective is all. With this in mind, one can turn the bishops on their heads by drawing a few biblical allusions for their bête noire of the
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