Julie Lluch’s modern ‘Spoliarium’
Julie Lluch is raging. Like the Dylan Thomas poem, “Do not go gentle into that good night,” the foremost Filipino sculptress still rages, four decades into her art. At the
Julie Lluch is raging. Like the Dylan Thomas poem, “Do not go gentle into that good night,” the foremost Filipino sculptress still rages, four decades into her art. At the
Veteran sculptress Julie Lluch said she considered terra cotta a medium linked to the sensuous and fulfilling act of creation, as many of the Creation stories speak of humanity being
There she lay, naked and gleaming golden in the sunlight, arms outstretched as if offering herself to the heavens as she floated up, up, up, transported by some kind of rapture.
For the first time, Julie Lluch, acclaimed for her terracotta sculptures and bronze monuments, is exhibiting works in her new medium—cast marble with acrylic pigment—via “In the Fullness of Time,”
I’ve never been to any “roasting,” literary or journalistic. I have no idea what goes on at occasions of that kind.
When the subject of Gilda Cordero Fernando, writer and serious painter (no matter how she pooh-poohs the sincerity with which she applies herself to the art), comes up, sculptor Julie Lluch and I are one in agreeing on this.
The house of TV celebrity and triathlete Kim Atienza is a veritable art gallery: sculptures, murals and artworks compete for attention with the vintage furniture.
A new haven for artists and art lovers formally opened on October 23 at the SM Aura Premier, Bonifacio Global City, in Taguig, promising guests an immersive viewing experience of the visual arts.
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