Time for an honest appraisal. Let’s pause from all this jingoism, put things in their proper places, and call a...
Gantimpala Theater Foundation and Grand Leisure Corporation’s production of “Maynila sa Mga Kuko ng Liwanag,” which ended its run...
In the metaphysical world, we believe our souls choose where on earth we are going to be born, who our parents and siblings will be, and what lessons we have to learn after experiencing a previous lifetime.
The pioneering theater group Philippine Educational Theater Association (Peta) is among this year’s recipients of the prestigious Ramon Magsaysay...
A long lost 1986 documentary on Philippine cinema in which Lino Brocka predicted the rise of independent cinema has been found and will be screened on Sept. 8 at the Cultural Center of the Philippines.
Tanghalang Pilipino opens ”Pahimakas Sa Isang Ahente,” a Tinio translation of Arthur Miller’s “Death of a Salesman” this September 26 and runs until October 19, Thursdays to Sundays, at the CCP Tanghalang Huseng Batute. Before you catch the Tanghalang Pilipino production, here are eight interesting things to know:
Soxie Topacio, a stalwart of the Philippine performing arts with a prolific, decades-long career as an esteemed actor, director,...
Sharon Cuneta is feeling the pangs of Lupe as she laments ABS-CBN shutdown, other unfortunate events
Sharon has a lot to be sad about, much like her character Lupe in her 1987 hit movie "Pasan Ko Ang Daigdig", which she referred to at some point.
The recent edition of the Metro Manila Film Festival ended with more than half a billion pesos in revenue and with at least one entry “Enteng Ka Ng Ina Mo” (second best picture) breaking box-office history with more than P111 million in less than a week.
Last seen in the Chito Roño movie “The Healing” and in the teleseryes “Genesis” and “Indio,” actor Roberto Arevalo returns to the stage to play the patriarch in Tanghalang Pilipino’s production of “Mga Ama, Mga Anak,” which opens at the Cultural Center of the Philippines’ Little Theater on Feb. 21, under Joel Lamangan’s direction.
