During halcyon days at Ateneo de Manila high school, one student, Paul Dumol, was so bold as to write three plays, two in Tagalog and one in English.
You will now be punished with the keynote speech I gave on Palanca Awards night this September.
By his own reckoning, actor Fernando “Nanding” Josef—now artistic director of Tanghalang Pilipino—has spent 40 years in theater. This, he said, is instrumental in his getting the kind of unique education he would never have learned in the classroom.
In an interview months ago, director Nonon Padilla said he would challenge any member of the audience to have a dry eye once “Lorenzo,” a rock opera on the indio Lorenzo Ruiz who died for his faith in 17th-century Japan, closes its curtain.
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