Philippine Opera Company mounts concert of operetta hits on July 18 at CCP
“T’aint Opera!” is an extravaganza of familiar, easy-to-listen-to music combined with dance, acting and storytelling.
“T’aint Opera!” is an extravaganza of familiar, easy-to-listen-to music combined with dance, acting and storytelling.
NEW ORLEANS (AP) — An internationally acclaimed tenor from New Orleans is pairing circus acrobatics and opera, with a lot of help from his friends. “We want it to be
A new Taiwanese performing arts center is opening in October and is said to be the world’s largest under one roof.
The Opera at the MET series, a project of the Cultural Center of the Philippines (CCP) with the New York Metropolitan Opera, came to a successful conclusion with the showing at Greenbelt Cinema 3, in Makati City, of Puccini’s “Madama Butterfly” and “Turandot,” and Wagner’s epic “Tristan und Isolde.”
‘Awareness of Light’ serves as a vital resource not only for students but also for lovers of theater and the performing arts
“Noli Me Tangere, The Opera,” written by the late Filipino National Artists Felipe de Leon (music) and Guillermo Tolentino (libretto in Filipino), runs at the Cultural Center of the Philippines (CCP) Main Theater from Jan. 28 to Feb. 3.
There were two Annies in the disarming Broadway musical about the little orphan girl during the 1930s Depression in America (“Annie,” directed by Michael Williams, Resorts World Manila)—Krystal Brimmer and Isabeli Araneta Elizalde. Will either be another Lea Salonga, who originated the role here 36 years ago?
Abdul Candao, the Filipino tenor based in the cultural capital of Vienna and who has lived in Europe for the past 26 years, shares something with opera stars like Pavarotti and Carlo Bergonzi. He likes to eat and cook as a form of therapy.
The Cultural Center of the Philippines in cooperation with the Filipinas Opera Society Foundation, Inc. launched the 4th season of the Met Opera in HD yesterday with a preview of the Met Opera production of Giacomo Puccini’s “Madama Butterfly.”
A compelling drama at Romania’s national opera has been drawing huge audiences for weeks. But it’s not a production of “The Marriage of Figaro” or “The Barber of Seville” that’s grabbing the limelight, it’s an offstage dispute between two international ballet stars and Romanian musicians that has already cost a government minister his job.
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