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The event aims to revive the nostalgia of the guitar with the music it creates and recognize the passion of those who harmonize good music from it.
Resting on stands beside my writing table are two guitars, a regular-sized, steel-stringed acoustic and a smaller, nylon-stringed, acoustic-electric. A third one—“Little Martin,” as its own makers have baptized it—has been taken away by my son, Paolo, for reconditioning; being the handiest, it has been my most active collaborator.
