The sarsuwela “Walang Sugat” (1902) is our most durable musical play, written by Severino Reyes of Lola Basyang fame and...
Maxene Magalona celebrated her rapper-dad Francis Magalona’s birthday by sharing with fans some interesting trivia about him.
Youth, democracy and the Filipino community are the themes of Festival of Windows 2020: Locked but Linked, the first online...
“Under My Skin” is an advocacy play of hope for people living with HIV (plHIV), presented in a simple and...
The Philippines has the fastest- growing HIV epidemic rate in the world, according to the Joint United Nations Programme on...
It feels premature to review “Walang Aray,” the new musical by Philippine Educational Theater Association (Peta), mainly because what was...
These days, two women are lighting up the stage at the Peta Theater Center, where “Rak of Aegis” has returned...
By: Céline Cornu via Agence France-Presse Luxury fashion house Prada said Wednesday it will remove animal fur from its collections, joining a lengthening list...
“The Kundiman Party” is back as a protest play because, as director Dexter Santos said, “someone has to do it.”
Tagu-taguan: Nasaan ang Buwan,” the Philippine Educational Theater Association’s (Peta) modern take on the stories of Lola Basyang, may have been filling the seats with young audience, but older viewers can enjoy the romp too while dissecting its inner layers of meaning.
