The first few months of the pandemic were the hardest for Leloi Arcete, head of PR and the online unit of the Philippine Educational Theater Association (Peta). She had to
Youth, democracy and the Filipino community are the themes of Festival of Windows 2020: Locked but Linked, the first online arts fair of Philippine Educational Theater Association (Peta), ongoing until
It feels premature to review “Walang Aray,” the new musical by Philippine Educational Theater Association (Peta), mainly because what was shown to the public during its two-performance run last October
The tricky thing about “Charot!”—Philippine Educational Theater Association’s (Peta) 51st season ender—is that it functions more as a primer on federalism than as a proper narrative.
The Philippine Educational Theater Association (Peta) is restaging its gargantuan musical hit, “Rak of Aegis,” written by Lisa Magtoto, with music by the Aegis band.
The Philippine Educational Theater Association (Peta), recipient of the 2017 Ramon Magsaysay Awards, is organizing the “Festival of Windows,” a weeklong event that highlights the role of arts in
Top marks for timeliness, but—”a musical for millennials”?
The Peta Theater Center, headquarters of the Philippine Educational Theater Association in Quezon City, is a beehive of activity.
Keeping true to its goal of presenting advocacy through theater, the Philippine Educational Theater Association (Peta) launched on Tuesday “A Game of Trolls: A Martial Law Musical,” which tackles martial law and historical revisionism.
To ensure the integrity of the data-gathering process and to avoid any lobbying, all RMAF investigations are done undercover; the field research on Peta took two months
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