Pinky Amador thinks that a celebrity can treat this mix of traditional media and social media as more opportunities for work.
(22nd in a series) Pinky Amador, theater/film actor The enhanced community quarantine (ECQ) has been one massive (overextended?) creative exercise...
Art Acuña, Pinky Amador, Topper Fabregas lead the cast of Atlantis Theatrical Entertainment Group’s production of “Angels in America: Millennium Approaches”—part 1 of American playwright Tony Kushner’s award-winning play on AIDS and homosexuality.
The play’s crowning glory is its holy trinity of actors
Repertory Philippines’ second production for its 50th anniversary is John Pielmeier’s “Agnes of God,” a play it had first staged in 1983 with Pinky Amador as Agnes, and Rep cofounders Zeneida “Bibot” Amador as the mother superior and Baby Barredo as the psychiatrist.
'Marcos, Enrile, Laurel, Virata–at Rep, we all somehow managed to co-exist despite the differences'
Rep stalwarts pay tribute to the company’s legendary founder, who would have been 83 last Feb. 7
And they do seem to be enjoying themselves on stage in this pleasant, witty–if not exactly rip-roaring–production
It is not easy being an Asian-American actor in the United States. It is an uphill struggle. Successes are few and far between (think “M. Butterfly” or “The Romance of Magno Rubio”). Many are called (hundreds and hundreds audition) but few are chosen.
“August: Osage County,” the Pulitzer Prize and Tony Award-winning play by actor-writer Tracy Letts, is set in Pawhuska, Oklahoma, a speck of a town of less than 4,000 people somewhere in the Great American Plains. The state is just north of Texas, so it’s perfectly acceptable to assume that they must speak in a sort of Southern accent there.
