Sebastian Junger understands the nature of danger. The journalist had explored how firefighter face down massive forest fires (“Fire”), how...
The end starts in silence, dreadful and dire. It is the moment after the elf Dobby’s burial, and for a...
The new production of the musical version of “Noli Me Tangere” fuses the creative talents of National Artist for Literature...
“Poqui-Poqui orgasmic,” read the text message recommending the place to us, so off we trundled through weekend traffic, to a part of Quezon City where there are still leafy green trees forming a canopy over the road, and townhouses and condominiums are still a minority among houses that are shaped like actual houses rather than futuristic spas.
At first glance, Mitchell David “Mitch” Albom seems to be an unusual choice when it comes to writing books preoccupied with the afterlife and how the living deal with it.
The De La Salle University (DLSU) Harlequin Theatre Guild’s adaptation of Merlinda Bobis’ “Fish-Hair Woman,” which had its second restaging since it was first showcased in March, proved to be just as poetic as the novel. The show, directed by Raffy Tejada, ran November 19-22 at the Teresa Yuchengco Auditorium, DLSU.
There is nobody else doing what Manix Abrera is doing—figuratively and literally.
“My Friend Has Come” accomplishes something only the best stories do: it manages to make you sympathize with characters who are objectively flawed. It is a great feat to take a person you would not happily share a room with in real life and make you weep for him all the same.
It’s Balikbayan season, which means, aside from an influx of See’s chocolate, squeaky white trainers and giant plastic tubs of cheese balls, the long-haul-weary Pinoys who have stepped off trans-Pacific or transcontinental flights are in search of a taste of home.
The March 6 concert of Romanian soprano Nelly Miricioiu at the Meralco Theater earned every possible gesture of admiration from an impassioned crowd after she performed carefully chosen pieces, which obviously represent facets of her versatility and artistic range, from bel canto to Verdi and the modern Italian and French repertoire.
