Summers of my childhood in barrio Tilod
When I think of summer, my thoughts inevitably turn to the island of my birth in Baras, Catanduanes.
April 14, 2019
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When I think of summer, my thoughts inevitably turn to the island of my birth in Baras, Catanduanes.
“Rite of Passage,” written by Glenn Sevilla Mas, is more than just a typical teenager’s coming-of-age story. It is a quest for survival and sanity when no help is within sight. It is an agonizing education into life’s harsh realities, and a deliberation on whether or not a next step is even possible.
Tanghalang Ateneo, the longest-running theater company of the Loyola Schools of the Ateneo de Manila University, presents Glenn Sevilla Mas’ “Rite of Passage: Sa Pagtubu kang Tahud (An adaptation of a Kinaray-a short story by Maria Milagros Geremia Lachica),” beginning Nov. 27 under Ron Capinding’s direction.
Tanghalang Ateneo, the longest-running theater company of the Loyola Schools of the Ateneo de Manila University, celebrates its 36th season with the theme “Navigating Identities”. To articulate this, the company will stage plays that explore man’s need to find himself and his place in the world.
Tanghalang Ateneo, the longest-running theater company of the Loyola Schools, Ateneo de Manila University, is celebrating its 36th season this school year 2014-2015. It has grown from a fledgling band of student players to one of the country’s leading school-based theater companies.
With golden umbrellas covering them from the equatorial sun, boys in princely attire are hoisted onto the shoulders of their fathers and uncles, part of a ritual carried out this time every year at Buddhist pagodas all over Myanmar: young would-be-novices preparing to enter the monkhood.
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