The beguiling surprise of ‘Nang Dalawin ng Pag-ibig si Juan Tamad’
Where this production wins is in its brand of comedy—the way it unfailingly connects with its audience
Where this production wins is in its brand of comedy—the way it unfailingly connects with its audience
Both this February: TP’s ‘Nang Dalawin ng Pag-ibig Si Juan Tamad’ and DUP’s ‘Ang Dalagita’y ‘sang Bagay Na Di-Buo’
Tanghalang Pilipino’s (TP) latest offering is “Nang Dalawin ng Pag-ibig si Juan Tamad,” an adaptation by Rody Vera of a children’s story by National Artist for Literature Nick Joaquin
Given the current state of affairs, it’s not surprising that many theater companies are staging plays with anti-establishment themes and stories. Tanghalang Pilipino’s “Ang Pag-uusig,” a Filipino translation of
Bertolt Brecht’s take on Galileo Galilei—when real science was considered fake news
Although most better-known theater companies were relatively quiet in mid-October (with the exception of Tanghalang Pilipino’s outstanding “Ang Pag-uusig”), Manila theater did not lack for satisfying fare with a
The play had its world premiere in 2004 in Tokyo as part of a three-year Asian theater collaboration project
Soxie Topacio, a stalwart of the Philippine performing arts with a prolific, decades-long career as an esteemed actor, director, writer and teacher-mentor across theater, film and television, passed away
Bigger venues, a longer run, more collaborating artists–this year’s festival promises to be truly ‘Wagas’ (all out).
As the last notes of the Philippine Educational Theater Association’s (Peta) “Singkuwenta” concert reached its zenith, almost everybody in the audience was on their feet. The standing ovation was
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