Lunchbox Theatrical Productions CEO James Cundall has an interesting connection to William Shakespeare. Almost 20 years ago, on a flight from London to Bangkok, he
We arrived at Blenheim Palace in Oxfordshire, England, on a sunny Monday morning. The palace is a world heritage site, the birthplace of Winston Churchill, and currently one of two homes to Shakespeare’s Rose Theatre (The other being York—where the company’s first season in 2018 drew audiences of over 78,000 people and where they are back for a second summer).
Twenty actors, three musicians, two directors and 10 stage management and show technicians will be flying to Manila for the shows. ‘MACBETH’ To stage “Macbeth”
In Dulaang Filipino’s “Alyas July,” which had a four-day run this week at College of St. Benilde-School of Design and Arts Black Box, playwright Eljay Castro Deldoc turned the scheming politicos of Shakespeare’s “Julius Caesar” into scheming company members of a college theater troupe trying to get through a technical dress rehearsal of “Julius Caesar.”
Nicolo Magno, Tata Tuviera and Ian Maclennan joined me at Bilibid to give a series of workshops in staging “A Midsummer Night’s Dream.”
Shakespeare’s historical tragedy is rendered as a unique drama that’s stripped down to just an hour and a half.
Over 120 delegates from all over world joined the conference to feast on the ideas circulated in panel presentations and seminars, on an exhibit of Manga Shakespeare, and on performances and workshops spread out over a three-day period.
Ateneo de Manila University (Admu) and the University of the Philippines (UP) Diliman are hosting a conference this month that gathers the leading Shakespearean
Colleagues and friends remember a gifted actor of wit and kindness, of ‘tender frankness and jolly spirit’
This adaptation bridges Shakespeare’s ‘Richard III’ with present-day Philippines to biting effect
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