‘Stage Kiss’ still hits more than it misses
Repertory Philippines’ “Stage Kiss” gets most of its laughs from the line that separates performance and reality. In telling the story of an out-of-practice stage
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Repertory Philippines’ “Stage Kiss” gets most of its laughs from the line that separates performance and reality. In telling the story of an out-of-practice stage
In 2017, Manila saw two plays by the American playwright Sarah Ruhl—“Eurydice,” mounted by Tanghalang Pilipino using a Filipino translation by Guelan Luarca, and
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