‘Binondo’: A deeply flawed caricature of a culture
Why the title? That question, among a multitude of questions, loomed over “Binondo,” the self-proclaimed Tsinoy musical that trundled back to The Theatre at Solaire last weekend for a four-show rerun—a year after premiering in the same venue, through a production described by reviewer Cora Llamas as “unfocused” and “teleserye-like.”