Many seemed rather puzzled, if not surprised, when Filipino-Canadian artist Lani Maestro was chosen as one of our two representatives at last year’s Venice Art Biennale, which closed Nov. 22.
As the perpetual host of the Venice Art Biennale, this Italian city easily blurs the boundary between art and reality, fantasy and truth, the mundane and sublime.
The world of contemporary art will unveil to the public its newest array of artistic work this week at the “2017 Venice Art Biennale” in Italy, with two internationally-acclaimed Filipino artists Lani Maestro and Manuel Ocampo making doubly sure that the Philippines is amply represented.
As the Philippines returns to the Venice Art Biennale in Italy, our national pavilion will be at the Arsenale, one of the main exhibition spaces. It will open May 13 and run through Nov. 26.
BARELY six months after the Philippines had its closing ceremony for its historic return to the Venice Art Biennale in 2015 via a well-
received exhibit called “Tie a String Around the World,” the country was back in the Renaissance city this May to participate in the architecture component of the global art exhibition, the Venice Architecture Biennale.
Moored inside one of the upper rooms of the impressive Palazzo Mora in Venice, Italy, is an evocation of the BRP Sierra
There exists in Venice a cool, cavernous pod where it is always nighttime. Enter one door and you will find flowers that light
VENICE, Italy—As the Philippines prepares to roll out the carpet to its pavilion in the 56th International Art Exhibition, also known as La Biennale de
Over a decade after its last participation in the Venice Art Biennale, the Philippines will return to the art event with “Tie a String around
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