‘Kung Paano Maghiwalay’ was like a minuet of humor and satire and sentiment, intricately scripted and directed with panache by
George de Jesus III
Displacement, differences, departures–these are the norms that echo repeatedly in his plays, whether the ones he writes, stages or picks for TA’s season offerings
Only in the least adventurous of Tanghalang Ateneo’s five interpretations does the absurdist classic make perfect sense
If you want an evening of genuine surprise at the theater, the kind that makes you go, “I never thought they had it in them,” then the Ateneo is the place to be these days, where Blue Repertory’s “In the Heights” and Tanghalang Ateneo’s adaptation of “Waiting for Godot” prove nightly that youth and inexperience are never hindrances to putting up a show whose quality matches its ambition.
Tanghalang Ateneo, the longest-running theater company of the Loyola Schools of the Ateneo de Manila University, will end its 36th Season: Navigating Identities this February with “Godot5: Five Ruminations on Samuel Beckett’s ‘En Attendant Godot'”.
Tanghalang Ateneo, the longest-running theater company of the Loyola Schools, Ateneo de Manila University, is celebrating its 36th season this school year 2014-2015. It has grown from a fledgling band of student players to one of the country’s leading school-based theater companies.
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