By Cora Llamas
The message was ominous, the tone ruthless, but the one speaking it left nothing ambiguous. To paraphrase in English: “Kill every last man who does not join us: Spanish, mestizo, Chinese, Filipino. Do not make any distinction. Cowardly fathers will only breed whining sons. The race must be made pure.”
By Stef Cabal
At age 9, Christopher Aronson was already into theater. In college, he majored in Theater Arts at Ateneo de Manila University, where he learned and deepened his craft, and explored experimental methods.
Ballet Philippines’ “The Blue Moon Series,” a showcase of some of its most well-loved pieces featuring the choreography of such dance stalwarts as Alice Reyes, Agnes Locsin, Tony Fabella, Denisa Reyes, Bam Damian and Alden Lugnasin, among others, took the lead in the third-quarter citations of the 2014 Gawad Buhay!, the Philstage Awards for the Performing Arts, with collective 16 citations in the creative, performance and technical categories.
By Pocholo Concepcion
Audie Gemora beams as he walks the stage of The Theatre at Solaire—the spanking new venue for live musical and theatrical productions which he says the integrated hotel-casino-resort’s management planned and spent huge amounts on based on a vision.
What statement would you leave to the world?