Somewhere in Lucban is the real-life Remington.
It was “Zombadings” screenwriter and producer Raymond Lee who had the unfortunate experience of crossing paths with him. This was back in 2009, when Raymond decided to take a quick break in Quezon just after the very successful run of the film “Kimmy Dora,” which his company Origin8 Media released.
“Naglalakad ako, enjoying the cool air and suddenly, there was this kid, five or six years old, a boy, and bigla niyang sinabi, ‘Bakla.’ And yung pagkasabi niya ng bakla, I detected derision, may negativity,” he said.
It was a surprise for Raymond, who says he’s always known Lucban to be “a very gay-friendly place.” “Sabi ko, even in a very gay-friendly place meron pa rin talagang discrimination. Let’s admit it, hindi naman ’to paradise.”
Idea
The incident sparked an idea. “I said to Jade (Castro), “May concept ako for a movie.
What if may bata na sobrang siga, sobrang nakakaasar, kahit saan siya magpunta nang-aasar siya ng mga bading? What if yung batang yan laging pinapalampas lang nung mga bading na nilalait niya until one day may isang baklang hindi siya palalampasin? And what if yung bading na yun puts a curse on him, na paglaki niya magiging bakla siya? That’s how it started.”
Raymond ended up writing the screenplay with Michiko Yamamoto and Jade Castro, who also became the film’s director.
“That’s what we do. We make movies, we write, we try to get them off the ground, we have dream projects,” said Raymond, who also produced the beautiful “Ang Pagdadalaga Ni Maximo Oliveros.”
“Zombadings: Patayin Sa Shokot Si Remington” is one of Raymond’s dream projects that turned into reality.
“We took our time casting it, making it. We took our time. It’s the antithesis of the rush project.”
The cast is a mix of relatively new faces and veteran actors. “It was a wish that came true.
Eugene Domingo has been a good friend since “Kimmy Dora” but these other guys I’ve only met through this film. Roderick (Paulate) and Janice (de Belen) read the script, they liked it, they said yes. Si John Regala, pinitch ko yung kwento sa telepono. Ayaw niyang gawin nung una, until I told him the ending of his character. Because of that ending, he said, ‘Wala na tayong pag-uusapan, gagawin ko ang pelikula.’ Si John Regala yung puso ng pelikula.”
Finding Remington
Raymond convinced Odette Khan to play the town mayor on the phone, too. “I called her, introduced myself and, I told her, choosing my words carefully, that the movie is a whimsical, unpredictable comedy, and that we’d like the mayor’s gender to be ambiguous. It won’t be clear if s/he’s a man or a woman but s/he’s always wearing a barong Tagalog. After a brief pause she said, ‘Wala akong barong.’ Yun lang. Hahaha!”
The trickiest part was casting Remington, the movie’s lead character. Martin Escudero was actually the third actor to be cast—the first two had to back out because of scheduling reasons and because of a kiss that was required in the script. “We talked about it. “Should we retain that kiss? Should we give it up?” But we decided we needed to retain it.”
The people behind “Zombadings” went to GMA Artist Center. “Martin was the first one we auditioned. The first thought that came to mind when I saw him was, ‘How come this guy hasn’t been cast in a comedy?’ It’s so obvious that he’s a natural comedian. All his previous performances that I’ve seen have been drama. Nung nag-audition siya, when we said action and he started playing the scene, my God, he’s a natural comedian. He has a very fine instinct for comedy. And it’s not cheap comedy—it’s motivated. There’s an inner motivation to his comedy. And at the same time it’s quite physical. So it’s balanced. This is his film. This is really his film.”
The zombies entered the picture later. “We needed a second narrative thread, we needed a sub-plot. So we introduced the science fiction angle with the gay-dar. Ang peg namin dun sa batang Remington, he’s a human gay-dar. Kasi nung bata siya kahit saan siya pumunta, kahit hindi obvious na bakla, ituturo niyang bakla. If Remington is the human gay-dar, gawa rin tayo ng story about an actual gay-dar. Nanganak nang nanganak yun until nagkaroon ng zombies.”
Screaming and laughing
The film has gotten great feedback—and it hasn’t even officially opened in theaters. It premiered at this year’s Cinemalaya and has been viewed by audiences in CCP, UP and other special screenings around the country including Manila, Davao, Iloilo, Cagayan de Oro, Lucena, Dumaguete and more.
We spoke to Raymond on the day he returned from Davao and he talked about the previous night’s premiere. “It was fantastic. Puno siya and napaka-appreciative ng audience. They were super loud. They clapped several times during the film, they screamed, they laughed.”
The screaming and laughing are a constant at every screening. “Yung CCP nakakaloka yung laki di ba, 1,600 people. That was so intense. Then UP naman was jam-packed, talagang over capacity, may overflow. Dikit-dikit lahat ng tao so magnified yung tawa nila. Whenever we’d go to the screenings, we’d record the sound of the audience’s reactions.” (You can hear the recordings on the movie’s Facebook page.)
But the feedback hasn’t been a 100-percent positive. One writer posted a scathing review on Facebook, claiming that the film “provides mainly heterosexual people a chance to make fun of—or even ridicule—gay men.”
Raymond said, “I feel sad because I feel that he missed the point completely. But sabi ko nga, it’s good that others have responded… Sila J. Neil Garcia, Danton Remoto, they’ve seen the film and hindi yun yung reading nila. They found it funny and campy. And a lot of other gay men have said, it’s actually the opposite, it’s actually pro-gay. It celebrates gay people. Ang isang very telling scene was when we decided to drown out the gay hate speech of Daniel Fernando’s character. We really wrote that speech and shinoot namin yun. When we were editing, I said to Jade, “Kailangan bang marinig yan? Tabunan na natin yan.” Sabi ko, we don’t have to hear the diatribes against gays. Narinig na natin yan and we don’t buy it, di ba? And people got it, people were cheering.”
Serious side
Raymond knows there’s a serious side to the “Zombadings” story. “Hate crimes are a reality. May na-meet ako recently. They watched the film, they found it very funny. They said, we love your film. They showed me statistics, that the hate crimes against the LGBT community have been on the rise in the last five years. I offered to them na if we have advanced screenings, I’ll hand out leaflets and talk about their cause.”
There are many reasons people should watch “Zombadings.” Raymond said, “It’s a movie that respects the audience. It respects the audience’s intelligence. It’s a funny movie, they’ll be entertained but at the same time they’ll take something away from it. Because it’s a movie that was made with love. Love for cinema, love for the audience, love for writing, love for acting.”
This year has been a breakthrough for filmmakers in the Philippines and Raymond feels grateful to be a part of it. “I’m so happy that “Ang Babae Sa Septic Tank” did really well. I think that’s a cause of celebration for all filmmakers. And for me it’s not anymore about, ‘O, you’re a commercial filmmaker,’ ‘you’re an independent filmmaker’ or ‘you’re an art filmmaker.’ For me it’s about good films, surprising films, films outside the formula making it and finding the audience they deserve. It’s good Filipino films, whether they’re made by a big company or a small company or a one-man team. Good films are good films. And good Filipino films are for me what we should be cheering on and what we should be demanding as the audience.”
He has big dreams for Philippine cinema. “That good films outnumber the bad. And that good Filipino films make lots and lots of money so the filmmakers can keep making more and more good Filipino films.”
“Zombadings” will hit theaters on Aug. 31 and Raymond is already feeling pre-opening jitters. “My stomach’s turning. I really can’t imagine the night of August 30th, where I’ll be, what I’ll be doing, how I’ll be feeling. Parang kailangan ko ng ka-holding hands.”
