“Cosi fan Tutte,” the title of the Italian opera by Mozart, means “all women are the same.”
Its plot concerns two friends betting about their respective fiancee’s loyalty. When a third friend warns them not to be too trusting for all “women are the same,” they test their sweethearts’ loyalties by disguising themselves and wooing their lovers to see who remains true.
The Manila Chamber Orchestra Foundation (MCOF) production on Nov. 28, 7 p.m., at Ayala Museum stars members of the Viva Voce Ensemble: soprano Anna Migallos as Fiordiligi, soprano Aissa Guilatco as Dorabella, tenor Carlo Mañalac as Ferrando, baritone Carlo Falcis as Guglielmo, mezzo soprano Roxy Aldiosa as Despina and bass baritone Roby Mahusay as Don Alfonso.
The male cast shared that the opera’s setting will have a contemporary feel. Falcis said, “It will be different in a sense that it is more ‘now.’ Our characters are living in the present. They’re like yuppies living in the age of Facebook, Twitter and Instagram. The characters are more adult, not teens. Their relationship problems are real as they are today. But we remain faithful to Mozart’s music, the Italian text and how the story goes.”
Malubay agreed, “This ‘Cosi’ is different because it is in a modern setting. We think millennials can relate to it, especially those with complicated love lives.”
Directed by and under the musical supervision of Camille Lopez Molina, “Cosi fan Tutte” also features recitative parts which Mañalac, 28, a voice graduate of St. Scholastica’s College (SSC), finds challenging. These are what he called “the conversations in the opera. All the while I thought it was easy. A recitative has its own style. It’s another discipline.”
He described his role of Ferrando as a “hyper and energetic guy but a control freak” who finds it hard to let go. He added, “The opera is basically about letting go and having fun. The high tessitura of my role needs a lot of stamina. I don’t know why Mozart does this to his tenors and sopranos! Anyway, I’m working really hard to have that stamina.”
Also an SSC graduate, major in voice, and the oldest among the guys at 35, Falcis said “this Guglielmo is different from the ones I’ve played. He’s more serious and mature, not as playful as before. So I had to pull back a bit from that playful side and become a more adult.”
Malubay, 25, an SSC student taking his second degree in voice, has to strike a balance between his studies and performing professionally. He said, “Studying the opera is a challenge because I did some parts of it before, but now we will add recitatives. Mozart’s work sounds easy, but if you work and perform it, it has big, big obstacles for a singer when it comes to technique and endurance.” —CONTRIBUTED
Call Ticketworld 8919999 or MCOF at 9979483.
