Women at Cannes: What do the numbers tell us?
The selection of films in competition at the Cannes Film Festival is one of the strongest for women so far, but there are…
The campy "Beach Blanket Babylon" musical revue that has been a must-see for San Francisco tourists for 45 years is coming to an end.
THIS WEEKEND ONLY “Makinal” (UP Dulaang Laboratoryo) Four performances only: 3 p.m. and 7 p.m. today and tomorrow, April...
The turn of the first quarter, heading into the summer break, always seems to produce a logjam of theatrical offerings, with the impending close to major companies’ seasons jostling with end-of-academic-year productions from university groups.
The Tony and Olivier Award-winning “Spring Awakening,” with music by Duncan Sheik and libretto by Steven Sater, is billed as a “rock musical.”
In her forays into theater, film and TV, Cherie Gil has mesmerized audiences with her performance as the legendary diva Maria Callas in “Master Class,” stood toe-to-toe with theater stalwarts as the bitchy Baroness in “The Sound of Music,” and deteriorated with dignity as the impoverished heiress in “Arbol de Fuego.”
A glowering, divorced curmudgeon bent on affirming his solitary lifestyle. His remarried ex-wife wrestling with second thoughts. Their cheeky son with the dual agenda of repairing one marriage and enabling another (his own).
The stage musical “Ang Huling El Bimbo,” which became a big hit on its debut run in 2018 at the Newport Performing Arts Theater in Resorts World Manila, is currently showing at the same venue until April 14.
UP Playwrights’ Theatre’s “Nana Rosa”—an essential but problematic play—was perhaps the quarter’s most visible, university-based show, but it wasn’t the only one.
How director Bobby Garcia ends his staging of Tony Kushner’s “Angels in America: Millennium Approaches” is the very definition of big dick energy
Tanghalang Ateneo’s “AKO: Alpha Kappa Omega” finds itself caught between past and present.
