Inside Luke Edward Hall’s ‘Greco Disco’
ICYMI: Artist and designer Luke Edward Hall just came out with Greco Disco, published by teNeues. Whoever’s doing the describing at teNeues did…
Meet “the bad boy of Philippine theater,” at least according to his detractors. Vincent “Vince” M. Tañada is a member...
This year has seen a slew of productions with imaginatively offbeat use of theatrical idioms to enable audience empathy with...
Tanghalang Ateneo’s “Dolorosa” has ideas worth thinking about. Directed by Jenny Jamora and written by Peter Zaragoza Mayshle (who has...
CLOSING 1. “Ang Huling El Bimbo” (Full House Theater Company/Resorts World Manila) Until tomorrow, Aug. 18, at Newport...
Lunchbox Theatrical Productions CEO James Cundall has an interesting connection to William Shakespeare. Almost 20 years ago, on a flight...
Watching a restaging of a play can be a double-edged experience for a viewer, particularly if the original version was...
From start to end, “Madagascar: A Musical Adventure” looks polished and effortless, progressing from scene to scene with professional ease....
Not the man himself, of course, who turns 90 in March and whose theater pieces have long endured a reputation for being technically difficult. The critic Richard Corliss said it best in Time magazine: “His melodies [are] meant to challenge the ear, not soothe it,” and “his lyrics are often so complex, they have to be heard twice.”
The Holy Mother of God. The Blessed Madonna. The Queen of Heaven. These are but a few of the dozens of equally exalted titles with which the Roman Catholic Church and her devotees call Mary, mother of the biblical Jesus.
Twin Bill Theater returns this month with the Asian premiere of Mark St. Germain’s “Dancing Lessons,” a two-hander between a man with Asperger’s syndrome and an injured Broadway dancer who becomes his instructor.
