“It is our fervent wish that these artists represent the next generation and that they will continue to contribute to the vibrancy of the visual arts scene,” Chris B. Millado, vice president and artistic director of the Cultural Center of the Philippines (CCP) said.
The rumbustious street performers who have long claimed one of Hong Kong’s busiest shopping districts as their informal stage took...
Instead of protein bars and energy drinks, however, bars and packets of “reassurance,” “friendship,” “belonging” and “purpose” are available for consumption.
Musicals, dramas, dance, improv, ‘hugot’ confessions and more on Feb. 7-25
Chinese superheroes will soon be joining the pantheon of larger-than-life Marvel universe mainstays Spider-Man, Iron Man and the X-Men.
Marvel is looking for new talents for comics, fashion and design.
In an exhibit that aims to present art as witness to life, and society's ills and conflicts, two Filipino artists tapped into Rizal’s work to re-define 19th century political resistance for the 2017 Venice Art Biennale. This year, the works of Lani Maesto and Manuel Ocampo, dubbed as The Spectre of Comparison, and curated by Joselina Cruz, will be mounted at the Arsenale, one of the event's main exhibition spaces. The Spectre of Comparisons was drawn from the phrase El demonio de las comparaciones of Jose Rizal’s Noli Me Tangere, a book that reflected the Filipino society under the Spanish regime. “The phrase encapsulates the experience of Rizal’s protagonist, Crisostomo Ibarra, when he gazes out at the botanical gardens of Manila and simultaneously sees the gardens of Europe,” Cruz said in a statement.
One quiet October morning, art connoisseur Mrs. C recalls, she was enjoying her daily morning coffee and checking her e-mails when she chanced upon a disturbing message.
With light strokes and several flicks of a brush, 24-year-old Vico Cham deftly dabs a thin coat...
WHILE most music-loving teenagers can only dream of being in a band, a group of six young musicians from the...
