K-Pop’s BTS rocks out in ultra-conservative Saudi
Riyadh, Saudi Arabia | AFP | Saturday 10/12/2019 – 20:52 UTC+8 By: Aziz El Massassi The Saudi capital burst into life with…
Two years ago, on a late afternoon, tour operator and performance artist Carlos Celdran was arrested for reportedly interrupting Mass in Manila Cathedral to stage a protest against priests and bishops interfering with the passage of the Reproductive Health Bill.
The Cultural Center of the Philippines, Bench and SM Clark will bring the Ternocon 2018 Exhibit in Angeles City, Pampanga...
I like wild!’ exclaims Alice Reyes as she talks to Inquirer Lifestyle about the circumstances behind her handpicked choices of the new cast of the 2019 restaging of “Tales of the Manuvu,” the 1977 rock opera ballet hailed as a groundbreaking production when it debuted at the Cultural Center of the Philippines (CCP).
The Cultural Center of the Philippines and the Philippine Philharmonic Orchestra Society Inc. (PPOSI), with the University of the Philippines, pay tribute to the life and work of the late Sen. Edgardo J. Angara in an invitational concert on Oct. 17, 7 p.m. at the CCP Tanghalang Nicanor Abelardo.
Despite heavy monsoon rains and flash floods, the 100-member Asian Youth Orchestra (AYO) capped its two-night engagement at the Cultural Center of the Philippines recently, with Manila audiences giving it a shouting ovation.
It was easy to be swept away by the emotional current conjured by Juliene Mendoza and Stella Cañete-Mendoza during their Aug. 16 concert at CCP.
The musical is written by Layeta Bucoy, with music composed and arranged by Dodjie Fernandez and Upeng Fernandez. Direction is by Audie Gemora, and set design is by Toym Imao.
Here's the magic 12 of the Virgin Labfest (VLF)—handpicked from 150 “untried, untested and unstaged” plays submitted this year.
“T’aint Opera!” is an extravaganza of familiar, easy-to-listen-to music combined with dance, acting and storytelling.
A mixture of drama and comedy, the Virgin Labfest 14 entry “Mga Bata sa Selda 43” takes its audience on...
