Radio Active
On their own, radio and books represent traditionally powerful forms of media for Filipinos. Put them together, and you have a potent mix indeed.
April 6, 2013
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On their own, radio and books represent traditionally powerful forms of media for Filipinos. Put them together, and you have a potent mix indeed.
Fittingly enough for someone who willingly surrounds herself with stories from childhood, Tarie Sabido’s nickname is accompanied by a quirky tale of its own. The blogger and teacher’s real name
The first and most important thing you need to know about Anthony De Luna is that he’s not here to destroy your books. On the contrary, he loves old-fashioned ink-and-paper books.
“Golly jeepers” is Robert Magnuson’s favorite expression. It’s an endearingly anachronistic utterance straight out of a Saturday morning cartoon. But though the award-winning writer/illustrator grew up with a steady dose of those cartoons, he is no two-dimensional figure.
Every life establishes connections with others along the way-but then there is that singular life which touches and transforms every life it encounters.
In his delightfully whimsical and allegorical 1990 children’s book “Haroun and the Sea of Stories,” Salman Rushdie tells of how a precious young man named Haroun journeys to the unseen yet literal Sea of Stories that brought tales all over the world.
[tibak] Like the pages of an old diary, the years gone by since martial law come in different conditions. Some are dog-eared from constant scrutiny. Others are ripped from forceful amnesia, while others are brittle from having been dried after an encounter with water, most probably the business end of a water cannon. The handwriting can be smeared by tears and entire pages can be blank or gone missing.
Extremely shy and low-key, casual and sporting a goatee, Manix Abrera is the last person you’d imagine leading a cult. But he is—in a sense. The 30-year-old cartoonist is the creator of the “Kikomachine” comic strip, whose books are among the country’s best-sellers.
What one remembers the most about Cyan Abad-Jugo is her remarkable gentleness. There is a winning shyness in her eyes and in the quiet way she speaks. It’s like the lilting voice of a precocious child, and being able to see things from that angle is something she has always treasured. “The child’s voice is my default voice,” she says. “I like writing from a child’s point of view.”
Consider for a moment the idea of books as the manifestation of an inspired kind of virus, when a single book could spread and replicate itself countless times until it took over its host.
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