Amanda Bynes breaks social media hiatus to share photo from fashion school graduation
There’s light at the end of the tunnel, and for Amanda Bynes, a diploma as well. The actress tweeted a photo from her…
The 11th Philstage Gawad Buhay Awards at Onstage Theater, Greenbelt 1, was both a celebration and a call to arms for the next generation to build on the legacy of its forefathers in the arts.
The 11th Philstage Gawad Buhay Awards marked two sister theater companies’ joint anniversary celebrations in 2019.
Only two shows from the 2013-2014 season are still running on Broadway: Disney’s “Aladdin,” and the jukebox musical “Beautiful,”...
"Kusisita," a work that seeks to raise awareness about violence against women and mobilize people to fight it, has been drawing large audiences in Bolivia, which has one of South America's highest rates of femicides.
At the Peta Theater Center in 2012, Nonon Padilla directed a production of “King Lear,” now “Haring Lear” through “brilliant, exceptionally vivid Filipino prose by National Artist for Literature Bienvenido Lumbera,” wrote former Inquirer Theater editor Gibbs Cadiz. The titular role—a “sonorously voiced, charismatic [and] highly physical” interpretation, to go by Cadiz’s review—was played by Teroy Guzman.
A New Jersey high school's stage production of "Alien" is coming back with help from the 1979 film's director, Ridley Scott.
THIS WEEKEND ONLY “Makinal” (UP Dulaang Laboratoryo) Four performances only: 3 p.m. and 7 p.m. today and tomorrow, April...
The turn of the first quarter, heading into the summer break, always seems to produce a logjam of theatrical offerings, with the impending close to major companies’ seasons jostling with end-of-academic-year productions from university groups.
The Tony and Olivier Award-winning “Spring Awakening,” with music by Duncan Sheik and libretto by Steven Sater, is billed as a “rock musical.”
In her forays into theater, film and TV, Cherie Gil has mesmerized audiences with her performance as the legendary diva Maria Callas in “Master Class,” stood toe-to-toe with theater stalwarts as the bitchy Baroness in “The Sound of Music,” and deteriorated with dignity as the impoverished heiress in “Arbol de Fuego.”
