Latest Stories

Rousing performance marks MMCO’s 11th-season final concert


METRO Manila Concert Orchestra and Chino Toledo

The Metro Manila Concert Orchestra (MMCO), conducted by its founding music director Josefino “Chino” Toledo, capped its 11th concert season with a rousing performance at the Francisco Santiago Orchestra, BDO in Makati.

The performance was a repeat of its sojourn south of the metropolis at the Insular Life Auditorium in Alabang the night before.

Founded some 11 years ago, the MMCO has made its strong presence not only on the legitimate concert stage all over Metro Manila but also in every available venue in various communities, including on a makeshift stage in the rice terraces, schools, churches and the like.

The performance was a “moment of magic,” said executive director Chinggay Lagdameo, who hosted the concert.

At the outset, the MMCO impressed the audience with the buoyant sonority it produced in the opening number, Angel Peña’s “Philippine Festival Overture,” a truly inspired work scored in contemporary vein for the symphony orchestra.

Fresh approach

One hardly recognized the folk song “Bahay Kubo” on which the overture was based. The crafty employment of multiple tonalities hid it only to be wittily revealed somewhere in the end, before its majestic ending.

Easily the orchestra played it with verve, with a very much fresh approach, indicative of  Toledo’s excellent understanding of it.

The orchestra retained its intensity in the succeeding works of Beethoven, projecting a debonair stance. Effectively, it sounded the Triumphant March and the Turkish March with aplomb, engaging the audience to the hilt.

Enescu’s Romanian Rhapsody all the more electrified the audience. The spontaneity with which the musicians fired their playing  went well with the ebullience of the work. The pacing was dramatically done with a well delineated pacing from slow to fast and stark gradation of dynamics.

CHINO Toledo, cellist Ann Alton, violinist Michael Emery and pianist Cristine Coyiuto

Tour de force

A tour de force was Hovhaness’ “Requiem and Resurrection,” which stood unique on the program. It is a short work  scored for brasses and percussion.

There was no brassiness as the instruments intoned hymn-like sonority done in a singing, cantabile manner. The sensitivity with which the musicians brushed their playing truly awed the audience, no matter how briefly. The rendition was simply divine!

Highlighting the concert was Beethoven’s Triple Concerto, at times referred to as Concerto for Piano Trio.  Guests performers were violinist Michael Emery, cellist Ann Alton and pianist Cristine Coyiuto. The two artists based in New York, together with Cristine and flutist Caitlin Coyiuto, pooled their talents in a recent chamber-music performance in            Audi display room at Alabang.

The intimacy with which the trio forged in close rapport with the orchestra was simply astounding. All soloists in their own right, they played their parts in admirable oneness.

The hall, after its renovation, had somewhat become dry. Taking off the lid of the piano was a wise move to project its sound thus  asserting its lead.

The violin matched the piano with equal candor. The cello, undoubtedly expressive, somewhat did not sing; truly not a fault of the cellist but of the instrument itself, which somehow lacked brilliance.

Even then, the rendition was enjoyable: solid as it breezed through all the three movements. The repartee among the three instruments was articulate, and the ensemble was shared rather tightly.

The dance-like rhythm of the third movement pulsated with graceful zest much to the relish of the audience which applauded  thunderously  at the end.

Welcome feat

Catching the chamber performance in Alabang through a DVD recording, one cannot but help single out Caitlin’s sterling world-premiere performance of Toledo’s new work “Psst,” composed on July 25, 2011, for flute and piano.

Of course Caitlin’s proud mother, Cristine, was on the piano. Mother and daughter essayed an engaging dialogue, bringing out the intrinsic appeal and brilliance of the work.

Caitlin impressively played the flute combining both usual “traditional” technique and an unusual, modern manner as called for by the work.

Seeking inspiration from indigenous music, the work called for a “residual tone,” which Caitlin explained as defocusing the embouchure to make the sound more airy, and “beat box,” a rapper’s technique that mimics percussive instruments.

It certainly is a welcome feat for Caitlin early in her career to have a catholicity of taste, making her at home both in all stylistic nuances from Baroque to New Music.

Follow Us

Follow us on Facebook Follow on Twitter Follow on Twitter

Recent Stories:

Complete stories on our Digital Edition newsstand for tablets, netbooks and mobile phones; 14-issue free trial. About to step out? Get breaking alerts on your mobile.phone. Text ON INQ BREAKING to 4467, for Globe, Smart and Sun subscribers in the Philippines.

Tags: Lifestyle , Metro Manila Concert Orchestra , MMCO , Music

Copyright © 2014, .
To subscribe to the Philippine Daily Inquirer newspaper in the Philippines, call +63 2 896-6000 for Metro Manila and Metro Cebu or email your subscription request here.
Factual errors? Contact the Philippine Daily Inquirer's day desk. Believe this article violates journalistic ethics? Contact the Inquirer's Reader's Advocate. Or write The Readers' Advocate:
c/o Philippine Daily Inquirer Chino Roces Avenue corner Yague and Mascardo Streets, Makati City, Metro Manila, Philippines Or fax nos. +63 2 8974793 to 94
  1. How to enjoy Buntod
  2. Kim Atienza: At home with art and design
  3. Life lessons I want to teach my son
  4. No tourist draw, Malang the croc will remain wild
  5. ‘Wild West’ Masbate’s pristine marine gems
  6. The best flavors of summer in one bite, and more
  7. How Zsa Zsa Padilla found Conrad Onglao; Sharon Cuneta played Cupid
  8. Homemade yogurt, bread blended with pizza, even ramen
  9. What has happened to Barrio Fiesta and Singing Cooks & Waiters?
  10. Haneda International Airport: A destination on its own
  1. How Zsa Zsa Padilla found Conrad Onglao; Sharon Cuneta played Cupid
  2. Are your favorite malls open this Holy Week break?
  3. Historic Fort Bonifacio tunnel converted into a septic tank
  4. ‘Labahita a la bacalao’
  5. Miss America: Don’t suspend teen over prom invite
  6. How Margie Moran-Floirendo keeps her dancer’s body
  7. This is not just a farm
  8. President Quezon was born here–and so was Philippine surfing
  9. Levine designs womenswear with help from fiancee
  10. Clams and garlic, softshell crab risotto–not your usual seafood fare for Holy Week
  1. How Zsa Zsa Padilla found Conrad Onglao; Sharon Cuneta played Cupid
  2. Mary Jean Lastimosa is new Miss Universe Philippines
  3. Did Angara ruin Pia Wurtzbach’s chances at Bb. Pilipinas?
  4. Dominique–Gretchen and Tonyboy Cojuangco’s daughter–now an endorser
  5. Vinegar test helpful vs cervical cancer
  6. From Jeannie to mom of suicide victim
  7. San Vicente beaches hidden but not for long
  8. Borgy and Georgina are back; others are off–again
  9. Why is the lifestyle set now afraid to wear jewelry–before Kim Henares?
  10. Sen. Angara: I thought Pia Wurtzbach gave a good answer


  • Tagle to Napoles: Be honest and return the money
  • Afghan hospital guard kills 3 American doctors
  • Obama rejects notion that trade deal is in danger
  • [VIDEO] No assurances on Janet Lim-Napoles’ bid to become state witness
  • South Sudan president fires long-time army leader
  • Sports

  • NLEX holds off Jumbo Plastic for a playoff berth
  • Pacquiao can dodge tax issues
  • F1 boss Bernie Ecclestone rejects bribery charges
  • Big Chill freezes Cafe France to arrest skid
  • Pacquiao has to go through PBA Rookie draft
  • Lifestyle

  • Gongs and southern dances star in a workshop at San Francisco Bayanihan Center
  • This woman ate what?
  • Photos explore dynamics of youths’ sexual identity
  • 12th Philippine Food Expo set at the World Trade Center
  • No tourist draw, Malang the croc will remain wild
  • Entertainment

  • Smithsonian wants photos, videos for ‘Day in the Life of Asian Pacific Americans’
  • What Garcia Marquez left behind
  • Has Ai Ai fallen deeply with ‘sireno?’
  • Sony developing live-action Barbie comedy
  • California court won’t review Jackson doctor case
  • Business

  • Metro Pacific acquires stake in Victorias
  • How ‘one percent’ economic elite was uncovered
  • Facebook profits triple as mobile soars
  • Insular Honors Sales Performers at Testimonial Rites
  • Apple increases stock buyback, will split stock
  • Technology

  • Enrile in Masters of the Universe, Lord of the Rings?
  • Top Traits of Digital Marketers
  • No truth to viral no-visa ‘chronicles’
  • ‘Unlimited’ Internet promos not really limitless; lawmakers call for probe
  • Viber releases new design for iPhone, comes to Blackberry 10 for the first time
  • Opinion

  • Editorial cartoon, April 24, 2014
  • Talking to Janet
  • Respite
  • Bucket list
  • JPII in 1981: walking a tightrope
  • Global Nation

  • Obama to visit Filipino soldiers in Fort Bonifacio
  • Fil-Am youth conferences unite under one theme
  • Embassy advisory: Filipinos still need visas to enter US
  • No travel restriction to Mideast, DFA clarifies
  • PH-HK relations repaired, but families of victims still being courted