The last time I saw Kuya Germs was late in 2015, when the NCCA invited Audie Gemora and myself to help in planning the eventual rehabilitation of the Manila Metropolitan Theater.
WELL, that isn’t entirely true. Tita Susan Calo-Medina and I were not related by blood. What bound us together were our shared interests in the people, culture and traditions of this country, good art, clear writing and a host of other subjects. Travel, of course, was one of those.
Like an old house in some Gabriel Garcia Marquez novel, the Ramon Obusan Folkloric Group’s (ROFG) headquarters in Pasay City is alive with memories of the past and activities rooted in the present.
