Wiser, bolder, more adventurous” are Ballet Philippines’ (BP) key words for its coming 53rd season. Artistic director Mikhail “Misha” Martynyuk has amped up the dancers’ technique and conceptualized new works
To celebrate Women’s Month, Ballet Philippines sits down with two inspiring entrepreneurs whose courage and indomitable spirit has allowed them to soar over even the roughest of seas. The
Ballet Philippines (BP) is banking on kids to diversify its audience mix and create an expanded audience for dance. The Cultural Center of the Philippines’ (CCP) resident company is
National Artist for Dance Alice Reyes can’t stay put. “I’m an essential worker,” she insists. Reyes, former artistic director of Ballet Philippines (BP), turns 78 Oct 14. She has just
While performing arts companies worldwide have practically written off 2020 due to the pandemic, Ballet Philippines (BP) believes “the show must go on.”Since the Cultural Center of the Philippines is
“The dancer is dying and her arms move with the fluid lightness of a bird on its valedictory flight. Her ebbing life is set to the plaintive score of
Ballet Philippines Foundation chair Antonio O. Cojuangco issued this statement as reaction to news circulating on social media on the postponement of the staging of Alice Reyes’ “Itim Asu,” and
Despite an ominous cloud of uncertainty regarding the future of Ballet Philippines (BP), the lobby of the Cultural Center of the Philippines (CCP) began to fill up on the evening
In the Ballet Philippines (BP) controversy that just won’t go away, the initial issue, many agree, is neither the competence of the incoming BP artistic director, nor the direction BP
This is in response to the article “What went wrong in Ballet Philippines” (Feb. 16). The author of the article, Ms Marge Enriquez, stated that the Russian Embassy supposedly was
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