Lulu Tan-Gan turns heritage fabrics into fancy everyday wear | Lifestyle.INQ

OCTOBER 27, 2022

Lulu Tan-Gan turns heritage fabrics into fancy everyday wear
The palette may be restrained, but the garment themselves break free from expectations. —GRIG MONTEGRANDE
Lulu Tan-Gan turns heritage fabrics into fancy everyday wear
The palette may be restrained, but the garment themselves break free from expectations. —GRIG MONTEGRANDE

Under stunning wood-cut prints that chronicle Baguio’s stories and people—works she picked up from a local artist during one of her treks up north—Lulu Tan-Gan presented a staggering 54-piece collection at the Shangri-La The Fort for the 2024 Red Charity Gala.

On its 13th edition, the fashion presentation, cofounded and cochaired by Tessa Prieto and Kaye Tiñga, continues to raise funds for the benefit of the Philippine Red Cross, the Hope for Lupus Foundation, and the Assumption HS ’81 Foundation.

Delivering a message of oneness among Filipinos, Tan-Gan threads together the three major islands of the archipelago through her passion and advocacy, using Kalinga (Luzon) and Mandaya (Mindanao) motifs on natural piña silk linen (Visayas).

Lulu Tan-Gan turns heritage fabrics into fancy everyday wear
Instead of stiff and stuffy, we see piña that is relaxed and even sassy. INQUIRER PHOTO / GRIG C. MONTEGRANDE

Since 2007, the erstwhile Queen of Knits has moved on to weaving, advocating for the craft as well as the traditional material that is piña from Kalibo, Aklan.

“By actively supporting and promoting the interests of the textile and creative communities, we ensure that traditional and unique fabrics remain relevant and valued for use,” said Tan-Gan, adding that by “raising awareness, encouraging its continued use in modern designs, and helping sustain the artisans and cultural heritage connected to weaving, the tradition is kept alive and thriving.”

Luxury and modernity

Lulu Tan-Gan turns heritage fabrics into fancy everyday wear
The collection is a surprising mix of business, lounge, resort, party and street.

While stylishly sensible and relatable, the ingenuity in her designs comes more from the use and manipulation of the fabric, with the crafter-couturier proving that she has truly perfected weaving luxury and modernity into indigenous materials.

The contemporary pieces—a surprising mix of business, lounge, resort, party, and even street—reflect her ready-to-wear sensibilities and innovation. While the palette created by the natural dyes lends a sophisticated and restrained tone to the collection, the garments themselves break free from expectations.

Instead of stiff, we see piña in all its luxurious softness. Instead of stuffy, we see the traditional fabric as relaxed, young, and even sassy. The bouncy bubble skirt, see-through skorts, fringed high-waisted shorts, baggy sweatpants, and bold blazers are positively preppy.

Lulu Tan-Gan turns heritage fabrics into fancy everyday wear
Tan-Gan’s creations make great closet staples. INQUIRER PHOTO / GRIG C. MONTEGRANDE

With the celebrated fashion designer’s effortless creations, it has become easier to imagine heritage fabrics being worn beyond costumery, official business, or even formal events. Through Tan-Gan’s reimagining, local weaves turn into fancy any time, any day wear: The flouncy tops, electric-pleated asymmetrical skirts, trousers in either sheer patchwork or flower-petal detailing, and the array of long gauzy coats become instant must-haves in the closet due to their classy versatility and ease.

For young designers, the perpetually chic 69-year-old has this to say: “Read. This not only moves you one step forward but also builds a mental foundation for creativity.

“Feel. Engage your hands and feel the materials you’re working with. While you may have fixed ideas, hands-on experience can inspire you to innovate and explore new possibilities.

“Commit. As an entrepreneur, you will face challenges, especially when pursuing something unconventional.”

And finally, “Make a career out of what you love; it will feel more like a hobby than work.” INQ

 

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