The program for “If He Doesn’t See Your Face” describes the play as a product of a “Sisyphean-like struggle” to interpret Suzue Toshiro’s original text.
If the only association you have with spoken word is hugot, heartbreak, and the incomparably brilliant Juan Miguel Severo of Words Anonymous—you’re not alone.
How long can a couple’s marriage last if they can’t talk to each other? If one partner keeps repeating the error of his ways, should his long-suffering wife keep forgiving and taking him back? How can reconciliation happen if communication does not even exist?
Over 120 delegates from all over world joined the conference to feast on the ideas circulated in panel presentations and seminars, on an exhibit of Manga Shakespeare, and on performances and workshops spread out over a three-day period.
Ateneo de Manila University (Admu) and the University of the Philippines (UP) Diliman are hosting a conference this month that gathers the leading Shakespearean scholars and theater practitioners from
This adaptation bridges Shakespeare’s ‘Richard III’ with present-day Philippines to biting effect
‘Watch this play as a political act—a way of making a stand,’ says Ricky Abad, who’s directing the adaptation ‘RD3RD’ with Anton Juan
Art cultivates “a particular set of sensitivities,” that is, a different mind-set. That was how Ateneo de Manila University president Fr. José Ramon Villamin, SJ, articulated the importance of art
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