A weekend away from Manila was in the planning stage, and the destination had to fit a certain timeline since we had to be back in the urban salt mines by Monday morning. After a rather rushed deliberation, the choice was Bangkok.
It’s the morning after the opening of Chicago’s 16th US tour and Terra MacLeod is sitting with us in a suite lounge at New Orleans’ historic Saenger Theatre.
Sisters gone cuckoo and a pair of cancer-stricken kids were the unlikely stars of the two stage productions that played the Peta Theater Center’s Main Theater, during The Sandbox Collective’s multi-arts festival “The Imaginarium,” which ran Oct. 28-31.
The disruptive business model is a fast-growing trend across different industries, where traditional business models are replaced by more radical approaches. For example, ride-sharing apps—services that turn vehicles into virtual limousines with lower rates—have grown increasingly popular.
The big musical of Repertory Philippines this year is “Scrooge,” a takeoff on Charles Dickens’ beloved novel “A Christmas Carol,” with formidable character actors Miguel Faustmann and Chinggoy Alonso alternating as the cantankerous, usurious old man whom everybody hates.
Last April, Ateneo de Manila University (AdMU), with the Department of Science and Technology (DOST), launched its annual “Chem Camp.”
For Nathaniel Perez, Justine Gail Tinio and Kea Gonzales of the University of the East (UE) Fencing Team, it’s time to return to the gold medal podium.
Ballet Philippines is staging anew Alice Reyes’ “Cinderella” beginning Nov. 28, 8 p.m. at the Tanghalang Nicanor Abelardo, Cultural Center of the Philippines.
Decades ago, the sleepy town of Alaminos in Pangasinan rose to fame for its cluster of mushroom-shaped coral formations carved by pummeling ocean waves. Today, local and foreign tourists continue to flock to this unique destination that has come to be known as the Hundred Islands.
For its “Exhibition of Student Work 2014,” Slim’s Fashion & Arts School tapped into the country’s rich heritage.
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